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The practice of facial tattooing is considered a part of coming into womanhood for Inuit women. [11] [2] Women were unable to marry until their faces were tattooed, and the tattoos meant that they had learned essential skills for later in life. [9] Designs would vary depending on the region.
Typical markings include vertical lines from the lower lip that extend to beneath the chin. [2] According to tattoo anthropologist Lars Krutak, the width of the lines and the spacing between them were traditionally associated with each of the nine groups of Hän Gwich’in. Girls would be tattooed to identify their group.
A Samoan woman with malu. Malu is a word in the Samoan language for a female-specific tattoo of cultural significance. [1] The malu covers the legs from just below the knee to the upper thighs just below the buttocks, and is typically finer and delicate in design compared to the Pe'a, the equivalent tattoo for males.
While spending a fortune on an engagement ring is traditional, these people have chosen to get tattoos instead.
Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.
The tattoo designs were based on the belief that people were part of the larger cycle of life and integrated elements of the land, sky, water, and the space in between to symbolize these beliefs. [ 39 ] : 222–228 In addition, the Osage People believed in the smaller cycle of life, recognizing the importance of women giving life through ...