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The Doryphoros (Greek Δορυφόρος Classical Greek Greek pronunciation: [dorypʰóros], "Spear-Bearer"; Latinised as Doryphorus) of Polykleitos is one of the best known Greek sculptures of Classical antiquity, depicting a solidly built, muscular, standing warrior, originally bearing a spear balanced on his left shoulder.
Fresco by Fra Angelico, Dominican monastery at San Marco, Florence, showing the lance piercing the side of Jesus on the cross (c. 1440). The Holy Lance, also known as the Spear of Longinus (named after Saint Longinus), the Spear of Destiny, or the Holy Spear, is alleged to be the lance that pierced the side of Jesus as he hung on the cross during his crucifixion.
Ecce Homo, Caravaggio, 1605. Ecce homo (/ ˈ ɛ k s i ˈ h oʊ m oʊ /, Ecclesiastical Latin: [ˈettʃe ˈomo], Classical Latin: [ˈɛkkɛ ˈhɔmoː]; "behold the man") are the Latin words used by Pontius Pilate in the Vulgate translation of the Gospel of John, when he presents a scourged Jesus, bound and crowned with thorns, to a hostile crowd shortly before his crucifixion (John 19:5).
The spear used is known as the Holy Lance, and more recently, especially in occult circles, as the "Spear of Destiny", which was revered at Jerusalem by the sixth century, although neither the centurion nor the name "Longinus" were invoked in any surviving report. As the "Lance of Longinus", the spear figures in the legends of the Holy Grail.
This unit, known as the Hypaspistai, or hypaspists, was probably armed in the hoplite manner, with a large concave shield and a spear , in addition to spolas or linothorax body-armor, hoplite's helmet, greaves and a xiphos or kopis sword (though their equipment was likely more ornate than main-line soldiers).
Depiction of the sin of Adam and Eve (The Garden of Eden with the Fall of Man by Jan Brueghel the Elder and Pieter Paul Rubens). Original sin (Latin: peccatum originale) in Christian theology refers to the condition of sinfulness that all humans share, which is inherited from Adam and Eve due to the Fall, involving the loss of original righteousness and the distortion of the Image of God. [1]
A mark of the continuing artistic value placed on the Diadumenos type in the modern era, once it had been reconnected with Polyclitus in 1878, may be drawn from the facts that a copy was among the sculptures ranged on the roof of the National Archaeological Museum, Athens, when it was completed in 1889, [8] and that the Esquiline Venus has sometimes been interpreted as a female version of the ...
In 2 Thessalonians 2:3–10, the "man of sin" is described as one who will be revealed before the Day of the Lord comes. The Codex Sinaiticus and Codex Vaticanus have the reading "man of lawlessness" and Bruce M. Metzger argues that this is the original reading even though 94% of manuscripts have "man of sin".