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Eharo mask, Elema culture, Papua New Guinea, acquired by the Museum of Toulouse in 1882. Eharo masks (literally "dance head" or "dance mask") were a type of mask used by the Elema people of the eastern Gulf of Papua as part of the "hevehe" cycle of masked rituals. [1] These masks were crafted from barkcloth, vegetable fiber, and various ...
All Bobo masks serve as a means of contact between human beings and these deities; some represent the deities themselves while others, called bolo masks, depict animals and people. Bolo masks such as this one are usually danced for entertainment. The art of Burkina Faso is the product of a rich cultural history
While, in most cases, commercial masks are (more or less faithful) reproductions of traditional masks, this connection is weakening over time, as the logics of mass-production make it harder to identify the actual geographical and cultural origins of the masks found in such venues as curio shops and tourist markets.
The culture of Burkina Faso in West Africa is also called the Burkinabé culture. Two key elements of culture in Burkina Faso (a country once known as Upper Volta) are its indigenous masks and dancing. The masks used in this region of the western Sahel are made for rites of sacrifice to gods and animal spirits in the villages. Native dance, on ...
Archaeological masks have been found from early Paleo-Eskimo and from early Dorset culture period. [2] It is believed that these masks served several functions, including being in rituals representing animals in personalized form; [14] being used by shaman (medicine man or angakkuq) in ceremonies relating to spirits (as in the case of a wooden mask from southwestern Alaska); [15] it is also ...
Their masks were often masterpieces of carving, sometimes with movable jaws, with the parts sometimes moved by pulling cords, or a mask within a mask to represent a magical transformation. The carving of masks was an important feature of woodcraft, along with many other features that often combined the utilitarian with the symbolic, such as ...
Masks to indicate the indigenous in the Tastoanes dance often originally had scorpions painted on them, but evolved to include hooked noses and other grotesque features. Today the noses are made of wood and images of bikini-clad women are painted on. [61] Skull masks have their origins in the pre-Hispanic period.
According to Ki Leonce, executive director of ASAMA, "There are two aspects about masks. One is cult and the other is culture; there might be a religious conflict for people who venerate masks, but there is no conflict from the cultural point." [8] The original FESTIMA, held in 1996, was four days long, and the event has since expanded to seven ...