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  2. Ocarina - Wikipedia

    en.wikipedia.org/wiki/Ocarina

    Transverse (Sweet potato) – This is the best-known style of ocarina. It has a rounded shape and is held with two hands horizontally. Depending on the number of holes, the player opens one more hole than the previous note to ascend in pitch. The two most common transverse ocarinas are 10-hole (invented by Giuseppe Donati in Italy) and 12-hole ...

  3. Vessel flute - Wikipedia

    en.wikipedia.org/wiki/Vessel_flute

    A vessel flute is a type of flute with a body which acts as a Helmholtz resonator.The body is vessel-shaped, not tube- or cone-shaped; that is, the far end is closed. Most flutes have cylindrical or conical bore (examples: concert flute, shawm).

  4. Pan flute - Wikipedia

    en.wikipedia.org/wiki/Pan_flute

    The siku is an Andean pan flute This pan flute from the Solomon Islands is made from bamboo bound with reeds and rope. A pan flute (also known as panpipes or syrinx) is a musical instrument based on the principle of the closed tube, consisting of multiple pipes of gradually increasing length (and occasionally girth). [1]

  5. Xun (instrument) - Wikipedia

    en.wikipedia.org/wiki/Xun_(instrument)

    The front of a glazed pottery xun, showing blowing hole and six finger holes The back of a glazed pottery xun, showing blowing hole and two thumb holes. The xun (simplified Chinese: 埙; traditional Chinese: 塤; pinyin: xūn; Cantonese= hyun1) is a globular, vessel flute from China.

  6. Irish flute - Wikipedia

    en.wikipedia.org/wiki/Irish_flute

    A (keyless) wooden flute. The Irish flute is a simple system, transverse flute which plays a diatonic (Major) scale as the tone holes are successively covered and uncovered. . Most flutes from the Classical era, and some of modern manufacture, include various metal keys or additional tone holes (such as a seventh, "pinky-hole", to access one lower note, typically the seventh degree of the ...

  7. Fife (instrument) - Wikipedia

    en.wikipedia.org/wiki/Fife_(instrument)

    The general effect is to define sounded notes in terms of scale degree, as with a movable-do system, and then to express any pitch having a given scale degree in the context of a given musical piece, regardless of that pitch's absolute value, in terms of a staff position defined as corresponding to that scale degree. The more specific effect is ...