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"What a Man Gotta Do" is a song by American group Jonas Brothers. It was released as a single through Republic Records on January 17, 2020. All three of the Jonas Brothers members, Nick , Joe , and Kevin Jonas , wrote the song with producers Ryan Tedder and David Stewart , alongside Jess Agombar.
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
Chord diagrams for some common chords in major-thirds tuning. In music, a chord diagram (also called a fretboard diagram or fingering diagram) is a diagram indicating the fingering of a chord on fretted string instruments, showing a schematic view of the fretboard with markings for the frets that should be pressed when playing the chord. [1]
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"What's a Guy Gotta Do" is a song co-written and recorded by American country music artist Joe Nichols. It was released in November 2004 as the second and final single from his 2004 album Revelation. The song peaked at number 4 on the US Billboard Hot Country Songs chart and number 64 on the Billboard Hot 100.
Sheet music cover for "He'd Have to Get Under – Get Out and Get Under (to Fix Up His Automobile)" as performed by Bobby North "He'd Have to Get Under – Get Out and Get Under (to Fix Up His Automobile)" is one of the lengthier titles in the history of popular songs.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...