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Image editing encompasses the processes of altering images, whether they are digital photographs, traditional photo-chemical photographs, or illustrations. Traditional analog image editing is known as photo retouching , using tools such as an airbrush to modify photographs or edit illustrations with any traditional art medium .
Gum bichromate is a 19th-century photographic printing process based on the light sensitivity of dichromates. It is capable of rendering painterly images from photographic negatives. Gum printing is traditionally a multi-layered printing process, but satisfactory results may be obtained from a single pass.
Many of the alterations to skin involve removing blemishes through the use of features included within popular image editing programs which are designed for just such purposes. Photo editors may also alter the color of hair to remove roots or add shine. Additionally, the model's teeth and eyes may be made to look whiter than they are in reality.
Mattes are used in photography and special effects filmmaking to combine two or more image elements into a single, final image. Usually, mattes are used to combine a foreground image (e.g. actors on a set) with a background image (e.g. a scenic vista or a starfield with planets). In this case, the matte is the background painting.
Compositing is the process or technique of combining visual elements from separate sources into single images, often to create the illusion that all those elements are parts of the same scene. Live-action shooting for compositing is variously called " chroma key ", "blue screen", "green screen" and other names.
Darkroom manipulation is a traditional method of manipulating photographs without the use of computers. Some of the common techniques for darkroom manipulation are dodging, burning, and masking, which though similar conceptually to digital manipulations, involve physical rather than virtual techniques.
Cropping is the removal of unwanted outer areas from a photographic or illustrated image. The process usually consists of the removal of some of the peripheral areas of an image to remove extraneous visual data from the picture, improve its framing, change the aspect ratio, or accentuate or isolate the subject matter from its background.
Photographic processing transforms the latent image into a visible image, makes this permanent and renders it insensitive to light. The film may be soaked in water to swell the gelatin layer, facilitating the action of the subsequent chemical treatments. The developer converts the latent image to macroscopic particles of metallic silver. [3]