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Steven Bruhm (1994) Gothic Bodies: The Politics of Pain in Romantic Fiction. Philadelphia: University of Pennsylvania Press. Gary Crawford (1986) "Criticism" in J. Sullivan (ed) The Penguin Encyclopedia of Horror and the Supernatural. Ann Radcliffe (1826) "On the Supernatural in Poetry" in The New Monthly Magazine 7, 1826, pp 145–52.
Gothic fiction, a loose literary aesthetic of fear and haunting; Gothic rock, a style of rock music; Goth subculture, developed by fans of gothic rock; Gaming.
Modern scholarship on horror fiction draws upon a range of sources. In their historical studies of the gothic novel, both Devendra Varma [45] and S. L. Varnado [46] make reference to the theologian Rudolf Otto, whose concept of the "numinous" was originally used to describe religious experience. A recent survey reports how often horror media is ...
The themes and concepts of Monster Literature are rooted in 18th century Gothic literature. The earliest examples of Gothic literature can be traced all the way back to English author Horace Walpole's novel The Castle of Otranto (1764). [1] However, monster literature first emerged in the 19th century with the release of Mary Shelley's ...
Erik Gustaf Geijer was a member of the 19th-century Gothic League (or the Geatish Society), which propagated the now-familiar image of the Viking as a heroic Norseman. Gothicism or Gothism ( Swedish : Göticism Swedish pronunciation: [ˈjøːtɪsˌɪsm] ; Latin : Gothicismus ) was an ethno-cultural ideology and cultural movement in Sweden ...
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
The great Gothic wave, which stretches from 1764 with Horace Walpole's The Castle of Otranto to around 1818-1820, features ghosts, castles and terrifying characters; Satanism and the supernatural are favorite subjects; for instance, Ann Radcliffe presents sensitive, persecuted young girls who evolve in a frightening universe where secret doors open onto visions of horror, themes even more ...
The Gothic double is a literary motif which refers to the divided personality of a character. Closely linked to the Doppelgänger, which first appeared in the 1796 novel Siebenkäs by Johann Paul Richter, the double figure emerged in Gothic literature in the late 18th century due to a resurgence of interest in mythology and folklore which explored notions of duality, such as the fetch in Irish ...