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Terry Michael Barrett (1945 - October 29, 2023 [1]) was an American art critic, and Professor Emeritus at Ohio State University.His many books, anthology chapters, and articles about contemporary art, art criticism, aesthetics, and the teaching of these, have had a significant impact on the field.
The Hypothesis of the Stolen Painting (French: L'Hypothèse du tableau volé) is a 1978 French surrealist experimental mystery film directed by Chilean filmmaker Raúl Ruiz [1] [2] and shot by cinematographer Sacha Vierny.
The Thief Collector is a 2022 American documentary film directed by Allison Otto.It tells the story of Woman-Ochre, a valuable Willem de Kooning oil painting, and the New Mexico married couple that allegedly stole it in 1985.
This work highlighted film semiotics as a new tool in art criticism. The book provided an overview of previous thinkers and defined terms critical to semiotic film theory. “This book is intended as a didactic introduction to the vocabulary of the field, not as a series of interventions in film theory” [1] Part One The Origins of Semiotics
Noël Carroll (born 1947) is an American philosopher considered to be one of the leading figures in contemporary philosophy of art.Although Carroll is best known for his work in the philosophy of film (he is a proponent of cognitive film theory), he has also published journalism, works on philosophy of art generally, theory of media, and also philosophy of history.
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Painters Painting: The New York Art Scene 1940-1970 is a 1972 documentary directed by Emile de Antonio. It covers American art movements from abstract expressionism to pop art through conversations with artists in their studios.
Tim's Vermeer is a 2013 documentary film, directed by Teller, produced by his stage partner Penn Jillette and Farley Ziegler, [2] about inventor Tim Jenison's efforts [3] to duplicate [4] the painting techniques of Johannes Vermeer, in order to test his hypothesis that Vermeer painted with the help of optical devices.