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Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century.
480 cm × 360 cm (190 in × 140 in) Location. Iglesia de Santo Tomé, Toledo. The Burial of the Count of Orgaz (Spanish: El Entierro del Conde de Orgaz) is a 1586 painting by El Greco, a prominent Renaissance painter, sculptor, and architect of Greek origin. Widely considered among his finest works, it illustrates a popular local legend of his ...
Mannerism artists and their masterpieces (written in Japanese) References This page was last edited on 6 July 2024, at 02:51 (UTC). Text is available under the ...
Michelangelo Merisi da Caravaggio (also Michele Angelo Merigi or Amerighi da Caravaggio; / ˌkærəˈvædʒioʊ /, US: /- ˈvɑːdʒ (i) oʊ /; Italian: [mikeˈlandʒelo meˈriːzi da (k)karaˈvaddʒo]; 29 September 1571 [2] – 18 July 1610), known mononymously as Caravaggio, was an Italian painter active in Rome for most of his artistic life.
El Greco. Doménikos Theotokópoulos (Greek: Δομήνικος Θεοτοκόπουλος, IPA: [ðoˈminikos θeotoˈkopulos]; 1 October 1541 – 7 April 1614), [2] most widely known as El Greco (Spanish pronunciation: [el ˈgɾeko]; "The Greek"), was a Greek painter, sculptor and architect of the Spanish Renaissance. El Greco was a nickname ...
Vertumnus is an oil painting produced by the Italian painter Giuseppe Arcimboldo in 1591 that consists of multiple fruits, vegetables and flowers that come together to create a portrait of Holy Roman Emperor Rudolf II. Although Arcimboldo's colleagues commented that Vertumnus was scherzo, or humorous, there were intentional political meanings ...
Location. Uffizi, Florence. Primavera (Italian pronunciation: [primaˈvɛːra], meaning "Spring") is a large panel painting in tempera paint by the Italian Renaissance painter Sandro Botticelli made in the late 1470s or early 1480s (datings vary). It has been described as "one of the most written about, and most controversial paintings in the ...
The Conversion of Saul. Mary and Christ. The Last Judgment (Italian: Il Giudizio Universale) [1] is a fresco by the Italian Renaissance painter Michelangelo covering the whole altar wall of the Sistine Chapel in Vatican City. It is a depiction of the Second Coming of Christ and the final and eternal judgment by God of all humanity.