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The Tribute Money, by Titian (1516), depicts Jesus being shown the tribute penny. "Render unto Caesar" is the beginning of a phrase attributed to Jesus in the synoptic gospels, which reads in full, "Render unto Caesar the things that are Caesar's, and unto God the things that are God's" (Ἀπόδοτε οὖν τὰ Καίσαρος Καίσαρι καὶ τὰ τοῦ Θεοῦ τῷ Θεῷ).
Plate 11 of the engravings, detail of centre image. William Blake 's Illustrations of the Book of Job primarily refers to a series of twenty-two engraved prints (published 1826) by Blake illustrating the biblical Book of Job. It also refers to two earlier sets of watercolours by Blake on the same subject (1806 and 1821).
The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. La Grande Bible de Tours, issued in 1866, was a large ...
The race and appearance of Jesus, widely accepted by researchers to be a Judean from Galilee, [1] has been a topic of discussion since the days of early Christianity. Various theories about the race of Jesus have been proposed and debated. [2][3] By the Middle Ages, a number of documents, generally of unknown or questionable origin, had been ...
Halo (religious iconography) A halo (from Ancient Greek ἅλως (hálōs) 'threshing floor, disk'; [1][2] also called a nimbus, aureole, glory, or gloriole (Latin: gloriola, lit. 'little glory') is a crown of light rays, circle or disk of light [3] that surrounds a person in works of art. The halo occurs in the iconography of many religions ...
The priestly breastplate or breastpiece of judgment (Hebrew: חֹשֶׁן ḥōšen) was a sacred breastplate worn by the High Priest of the Israelites, according to the Book of Exodus. In the biblical account, the breastplate is termed the breastplate of judgment (Hebrew: חֹשֶׁן מִשְׁפָּט ḥōšen mišpāṭ – Exodus 28:15 ...
Resurrection of Jesus in Christian art. The resurrection of Jesus has long been central to Christian faith and Christian art, whether as a single scene or as part of a cycle of the Life of Christ. In the teachings of the traditional Christian churches, the sacraments derive their saving power from the passion and resurrection of Christ, upon ...
It was common in Late Antique art in both East and West, and remained the main way of depicting the actions or approval of God the Father in the West until about the end of the Romanesque period. It also represents the bath Kol (literally "daughter of a voice") or voice of God, [4] similar to Jewish depictions.