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Women in Shakespeare is a topic within the especially general discussion of Shakespeare 's dramatic and poetic works. Main characters such as Dark Lady of the sonnets have elicited a substantial amount of criticism, which received added impetus during the second-wave feminism of the 1960s. A considerable number of book-length studies and ...
A Midsummer Night's Dream is a comedy play written by William Shakespeare in about 1595 or 1596. The play is set in Athens, and consists of several subplots that revolve around the marriage of Theseus and Hippolyta. One subplot involves a conflict among four Athenian lovers. Another follows a group of six amateur actors rehearsing the play ...
Titania (/ tɪˈtɑːniə /) [1] is a character in William Shakespeare 's 1595–1596 play A Midsummer Night's Dream. In the play, she is the Queen of the fairies and wife of the Fairy King, Oberon. The pair are depicted as powerful natural spirits who together guarantee the fertility or health of the human and natural worlds.
Much Ado About Nothing is a comedy by William Shakespeare thought to have been written in 1598 and 1599. [1] The play was included in the First Folio, published in 1623. The play is set in Messina and revolves around two romantic pairings that emerge when a group of soldiers arrive in the town. The first, between Claudio and Hero, is nearly ...
Oberon (/ ˈoʊbərɒn /) is a king of the fairies in medieval and Renaissance literature. He is best known as a character in William Shakespeare 's play A Midsummer Night's Dream, in which he is King of the Fairies and spouse of Titania, Queen of the Fairies. [1]
Miranda is one of the principal characters of William Shakespeare 's The Tempest. She is the only female character to appear on stage. Miranda is the daughter of Prospero, another of the main characters of The Tempest. She was banished to the Island along with her father at age three, and in the subsequent twelve years has lived with her father ...
As You Like It is a pastoral comedy by William Shakespeare believed to have been written in 1599 and first published in the First Folio in 1623. The play's first performance is uncertain, though a performance at Wilton House in 1603 (the house having been a focus for literary activity under Mary Sidney for much of the later 16th century) has been suggested as a possibility.
Roman Shakespeare: Warriors, Wounds, and Women. Roman Shakespeare: Warriors, Wounds, and Women is a 1997 book by Coppélia Kahn that reads Shakespearean texts from a gendered perspective, focusing on the construction of masculine identity in Roman ideology. [1] It is part of the Feminist Readings of Shakespeare series.