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Richard Joseph King (Rísteard Ó Cíonga; 7 July 1907–17 March 1974) [2] was an Irish stained glass artist and illustrator. He was born in Castlebar, County Mayo, Ireland, where his father was a sergeant in the Royal Irish Constabulary.
The tradition of stained glass manufacture has continued, with mosques, palaces, and public spaces being decorated with stained glass throughout the Islamic world. The stained glass of Islam is generally non-pictorial and of purely geometric design, but may contain both floral motifs and text.
Vassily Kandinsky Vassily Kandinsky, Komposition V, 1911. One of the main challenges of creating a reverse glass painting is how layers are applied when painting. [6] An illustration of this type is usually painted on the opposite side of the glass (the one not presented to the audience), following an opposite succession of layers of paint, applying the front most layer first and the ...
Detail of Madonna and Child at Church of the Assumption, Bride Street, in Wexford, Ireland. Harry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator.He produced more than 130 stained glass windows, he and his brother Walter having taken over his father's studio after his death in 1921. [1]
The two Margaret Ropes were first cousins, granddaughters of George Rope of Grove Farm, Blaxhall, Suffolk (1814-1912) and his wife Anne (née Pope) (1821-1882). The elder Margaret Rope, Margaret Agnes Rope, was the second child of Henry John Rope, M.D (1847-1899) and Agnes Maud (née Burd: 1857- 1948).
This type of wheel is powered by the spinner's foot rather than their hand or a motor. The spinner sits and pumps a foot treadle that turns the drive wheel via a crankshaft and a connecting rod. This leaves both hands free for drafting the fibres, which is necessary in the short draw spinning technique, which is often used on this type of wheel ...
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]