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Includes English translation of the original text, and a full-translation of the Dig-darśinī commentary. (3 volumes) Garg, Gaṅgā Rām (1982), An Encyclopedia of Indian Literature, Mittal Publishers, ISBN 9780391027794; Sanatana Goswami; Gopiparanadhana Dasa (2002), Śrī Bṛhad-bhagavatāmrta. Includes the Devanagari text, a roman ...
In 1894, the Vangavasi Press, Calcutta published another edition of this text along with a Bengali translation by Panchanan Tarkaratna, who edited it. In 1915, a free and abridged English translation by Syama Charan Banerji was published from Lucknow by the Indian Commercial Press as the first volume of its Rambles in Scripture Land series. [1]
The Bhagavad Gita (/ ˈ b ʌ ɡ ə v ə d ˈ ɡ iː t ɑː /; [1] Sanskrit: भगवद्गीता, IPA: [ˌbʱɐɡɐʋɐd ˈɡiːtɑː], romanized: bhagavad-gītā, lit. 'God's song'), [a] often referred to as the Gita (IAST: gītā), is a Hindu scripture, dated to the second or first century BCE, [7] which forms part of the epic poem Mahabharata.
As per these stories, brahmarakshasas, were powerful enough also to grant any boon, money, gold, if they became pleased with any person. In most of the stories, they are depicted as huge, mean and fierce looking having two horns on head like a rakshasa and a lock of hair like a Brahmin and usually found hanging upside down on a tree. Also a ...
Upon being entrusted with the task, Bhṛgu decided to test each of the Trimurti. He first visited Brahma at Satyaloka, and to test his patience, he refused to sing in his praise or prostrate before him. Brahma grew angry, but realised that his son was testing him and allowed him to pass. Bhṛgu left for Kailasha, the abode of Shiva. Upon ...
The translation and meaning of the Mantra can be understood when the context in which the Mantra is quoted in the Upanishad is known. Prior understanding of Vedanta is essential for translation and explanation of these Mantra. The Brihadaranyaka Upanishad explains Consciousness and it in this context that this Shanti Mantra needs to be understood.
In the Brahma Vaivarta Purana, Kubja is the reincarnation of Shurpanakha, a demoness who vied for Rama, Krishna's previous birth on earth. Surpanaka's penance is rewarded in her birth as Kubja, when her desire to unite with Rama is fulfilled.
The Brahmavaivarta Purana, along with Bhagavata Purana, have influenced performance arts and cultural celebrations in India, such as with Rasa Lila in Manipur above.. This text is mostly legends, worship, mythology and drama during the life of Radha and Krishna, with discussion of ethics, dharma, four stages of life and festivals embedded as part of the plot.