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Roy Fox Lichtenstein [2] (/ ˈ l ɪ k t ən ˌ s t aɪ n /; October 27, 1923 – September 29, 1997) was an American pop artist.During the 1960's, along with Andy Warhol, Jasper Johns, and James Rosenquist, he became a leading figure in the new art movement.
Little Big Painting is a 1965 oil and Magna on canvas pop art painting by Roy Lichtenstein. It is part of the Brushstrokes series of artworks that include several paintings and sculptures. It is located at the Whitney Museum of American Art in New York City.
Whaam! is a 1963 diptych painting by the American artist Roy Lichtenstein. It is one of the best-known works of pop art, and among Lichtenstein's most important paintings. [1] Whaam! was first exhibited at the Leo Castelli Gallery in New York City in 1963, and purchased by the Tate Gallery, London, in 1966.
Portrait of Madame Cézanne (sometimes Portrait of Mrs. Cézanne) is a 1962 pop art painting by Roy Lichtenstein. It is a quotation of Erle Loran's diagram of one of Paul Cézanne's 27 portraits of his wife Marie-Hortense Fiquet, now in the Barnes Foundation, Philadelphia. It was one of the works exhibited at Lichtenstein's first solo ...
[5] Lichtenstein's sketch for the work was done in graphite and colored pencils on paper in a 4 3/4 x 4 3/4 inches (12.1 x 12.1 cm) scale. [6] In the early 1960s, Lichtenstein produced several "fantasy drama" paintings of women in love affairs with domineering men causing women to be miserable, such as Drowning Girl, Hopeless and In the Car.
The work, which is in part a retrospective, "conflated early modernism with emergent postmodernism". [7] Lichtenstein refers to some of his paintings, including Look Mickey in this work, which depicts his own studio as the ideal studio and implies that the public consensus ratifies his choice of popular culture subject matter. [8]
Roy Lichtenstein, the artist of the screen print, became a leading figure in the new art movement in the 1960's along with other famous artists like Andy Warhol.
In 1964, this painting served as the basis for the beginning of Lichtenstein's sculptural efforts, when he produced an enameled steel work that extended his theme of flatness. In 1965, he extended this theme to ceramic art. [4] [5] Lichtenstein also created another painting entitled Varoom (no exclamation point, 1965). [6]