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Beethoven composed the song in E major, a key that William Kinderman suggests "was associated by Beethoven with work of a reflective, elevated, and often ethereal or religious character". [ c ] The vocal line best fits a high voice (tenor or soprano), though in concerts and recordings it has also been sung by lower voices in transposition.
the chord quality (e.g. minor or lowercase m, or the symbols o or + for diminished and augmented chords, respectively; chord quality is usually omitted for major chords) whether the chord is a triad, seventh chord, or an extended chord (e.g. Δ 7) any altered notes (e.g. sharp five, or ♯ 5) any added tones (e.g. add2)
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"Arthur McBride" – an anti-recruiting song from Donegal, probably originating during the 17th century. [1]"The Recruiting Sergeant" – song (to the tune of "The Peeler and the Goat") from the time of World War 1, popular among the Irish Volunteers of that period, written by Séamus O'Farrell in 1915, recorded by The Pogues.
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The writing has many fast arpeggios/broken chords, strongly accented notes, and fast alberti bass sequences that fall both into the right and left hands at various times. An effective performance of this movement demands lively, skillful playing and great stamina, and is significantly more demanding technically than the 1st and 2nd movements.
Where the Mountains o' Mourne sweep down to the sea. You remember young Peter O'Loughlin, of course, Well, now he is here at the head of the Force. I met him today, I was crossing the Strand, And he stopped the whole street with a wave of his hand. And there we stood talkin' of days that are gone, While the whole population of London looked on.