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The Piano Trio No. 2 in E minor, Op. 67, is a piece for violin, cello and piano by the Russian composer Dmitri Shostakovich, started in late 1943 and completed in August the following year. It was premiered on 14 November 1944.
Franck_-_Violin_Sonata_-_IV._Allegretto_poco_mosso.opus (Ogg Opus sound file, length 5 min 56 s, 156 kbps, file size: 6.6 MB) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Presto • Poco più mosso del • Tempo I; Andante; Allegro con brio • Poco meno mosso • Tempo I • Poco meno mosso • Allegro con brio; The work is highly classical in design as it opens with a sonata movement which is followed by a scherzo, a slow movement, and a finale. The violin part is replete with virtuosic display but is also ...
(24) Etudes-Caprices dans les 24 tons de la gamme, for solo violin; Fantaisie sur un thême de Lucia di Lammermoor de Donizetti (on sextet "Chi mi frena in tal momento"), in D major Op.46 for solo violin (1844) Thême Original et Etude de Sigismund Thalberg, Op.45a for solo violin; Variations sur un Thème de Haydn, Op.1 for solo violin (1818)
un, una, or uno One or "a" (indefinite article), as exemplified in the following entries un poco or un peu (Fr.) A little una corda One string (i.e., in piano music, depressing the soft pedal, which alters and reduces the volume of the sound). For most notes in modern pianos, this results in the hammer striking two strings rather than three.
The Piano Sonata No. 1 in F ♯ minor, Op. 11, was composed by Robert Schumann from 1833 to 1835. He published it anonymously as "Pianoforte Sonata, dedicated to Clara by Florestan and Eusebius". Eric Frederick Jensen describes the sonata as 'the most unconventional and the most intriguing' of Schumann's piano sonatas due to its unusual structure.
The compositions for violin and piano D 384, 385 and 408 were named Sonata in Schubert's autographs. [ 5 ] [ 6 ] They were named Sonatina when published posthumously as Op. 137 in 1836. [ 7 ] Since these works are modest in size—rather to be compared to Mozart's violin sonatas than to Beethoven's —the "Sonatina" diminutive stuck to them.
The violin then plays the melody and the piano adds some syncopated rhythms to the accompaniment, bringing back an echo of the movement's overall agitated character. Soon enough, right as the violin finishes playing the melody, the development section begins with tarantella material in the piano, played pianissimo and una corda. The violin ...