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"I Can't Quit You Baby" is blues song written by Willie Dixon and first recorded by Chicago blues artist Otis Rush in 1956. [1] It is a slow twelve-bar blues ensemble piece, with lyrics about the consequences of an adulterous relationship which is difficult to end. "I Can't Quit You Baby" was Rush's first recording and Cobra Records's debut
Writing for AllMusic, critic William Ruhlman wrote of the album: "Al Kooper's finest work, an album on which he moves the folk-blues-rock amalgamation of the Blues Project into even wider pastures, taking in classical and jazz elements (including strings and horns), all without losing the pop essence that makes the hybrid work.
You Just Can't Quit" bubbled under Billboard's Hot 100, reaching number 108, [4] number 76 on the Cashbox singles chart, [5] and number 24 in Canada. [ 6 ] The album was released on compact disc by Ace Records on June 23, 1998, as tracks 1 through 12 on a pairing of two albums on one CD with tracks 13 through 24 consisting of Nelson's 1967 ...
"I Can't Hold Out" has been described as a "jumping 'Dust My Broom' styled number ... that featured Dixon's trademark stop-time arrangement after each verse". [2] After recording the song in April 1960, Chess prepared for a rush release of the single in May 1960, to capitalize on the success of James' previous single for Fire Records, "The Sky Is Crying", which was then entering the Billboard ...
"You Shook Me" is unique among Muddy Waters' songs – it is the first time he overdubbed vocals onto an existing commercially released record. The backing track for Waters started as an impromptu slide guitar instrumental by blues guitarist Earl Hooker during a May 3, 1961, recording session for Chief Records. [1]
Crusade is the fourth album and third studio album by the British blues rock band John Mayall & the Bluesbreakers, released on 1 September 1967 on Decca Records.It was the follow-up to A Hard Road, also released in 1967.
The destination of a chord progression is known as a cadence, or two chords that signify the end or prolongation of a musical phrase. The most conclusive and resolving cadences return to the tonic or I chord; following the circle of fifths , the most suitable chord to precede the I chord is a V chord.
The cover became their biggest hit, reaching #20 on the US singles chart, and they followed it with the release of an album that included their interpretations of Bob Dylan's "Like a Rolling Stone", The Doors' "Touch Me", Blood, Sweat & Tears' "I Can't Quit Her" (US #67), and Simon & Garfunkel's "For Emily, Whenever I May Find Her".