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A gong chime is a generic term for a set of small, high-pitched bossed pot gongs. The gongs are ordinarily placed in order of pitch, with the boss upward on cords held in a low wooden frame. The frames can be rectangular or circular (the latter are sometimes called "gong circles"), and may have one or two rows of gongs.
The largest gong is ogung boru boru (female gong) and the smaller one is called ogung jantan (male gong), while one smaller gong is called doal and three smaller gongs are named salempong or mong-mongan. Other equipment in Gordang Sambilan is a wind instrument made of bamboo called a sarune or saleot and a pair of small cymbals called a tali ...
By far the most familiar to most Westerners is the chau gong or bullseye gong. Large chau gongs, called tam-tams [7] have become part of the symphony orchestra. Sometimes a chau gong is referred to as a Chinese gong, but in fact, it is only one of many types of suspended gongs that are associated with China. A chau gong is made of copper-based ...
Contrary to tradition, the games were officially opened by the Malaysian head of stage, Yang di Pertuan Agong Tuanku Jaafar by striking the gong three times. A burst of fireworks and blurring of the giant bunga raya and a 16-gun salute which represents 1998 Commonwealth Games being the 16th-edition games, signified the beginning of the games.
A medium-sized gong, called kempur, is generally used to punctuate a piece's major sections. Most older compositions do not employ the gong kebyar 's more ostentatious virtuosity and showmanship. Recently, many Balinese composers have created kebyar -style works for gamelan angklung or have rearranged kebyar melodies to fit the angklung ' s ...
Music of Minang is a traditional and contemporary ethnic variety of Indonesian music that grows and develops in the Minangkabau culture. [1] [2] [3] Music is generally played by musical instruments such as talempong, saluang, Minang rabab, serunai, rebana, aguang (), gandang, gambus, and violin.
Kulintang (Indonesian: kolintang, [13] Malay: kulintangan [14]) is a modern term for an ancient instrumental form of music composed on a row of small, horizontally laid gongs that function melodically, accompanied by larger, suspended gongs and drums.
Kendhang ageng, kendhang gede (krama/ngoko, similar to gong ageng in usage), or kendhang gendhing is the largest kendang, which usually has the deepest tone. It is played by itself in the kendhang satunggal (lit. "single drum") style, which is used for the most solemn or majestic pieces or parts of pieces.