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Allegro moderato – close to, but not quite allegro (116–120 bpm) Allegro – fast and bright (120–156 bpm) Molto Allegro or Allegro vivace – at least slightly faster and livelier than allegro, but always at its range (and no faster than vivace) (124–156 bpm) Vivace – lively and fast (156–176 bpm)
Allegro: joyful; lively and fast: Joyful; moderately fast tempo Allegretto: a little bit joyful: Slightly less joyful than allegro (so slightly slower tempo) Andante: walking: At a walking pace; flowing; moderately slow tempo Andantino: a little bit walking: Less of a walking pace than andante (so slightly quicker) A tempo: to time: Return to ...
allegretto vivace A moderately quick tempo allegrezza Cheerfulness, joyfulness allegrissimo Very fast, though slower than presto allegro Cheerful or brisk; but commonly interpreted as lively, fast all'ottava "at the octave", see ottava alt (Eng.), alt dom, or altered dominant
The composer and music theorist Johann Kirnberger (1776) formalized and refined this idea by instructing the performer to consider the following details in combination when determining the best performance tempo of a piece: the tempo giusto of the meter, the tempo term (Allegro, Adagio, etc., if there is one, at the start of the piece), the ...
Variation 5. Allegro (ma non tanto) Variation 6. L'istesso tempo; Variation 7. Vivace; Variation 8. Adagio misterioso; Variation 9. Un poco piu mosso; Variation 10. Allegro scherzando; Variation 11. Allegro vivace; Variation 12. L'istesso tempo; Variation 13. Agitato; Intermezzo; Variation 14. Andante (come prima) (D ♭ major) Variation 15. L ...
III. Scherzo. Allegro vivace; Trio The third movement is a lengthy Scherzo and Trio which is structured in sonata form. IV. Finale. Allegro vivace The finale is in an extended sonata form. There are no less than six unique thematic elements in the main themes alone. The development section focuses on the third and sixth thematic elements.
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Allegro vivace, 4 4; Andante di molto (più tosto Allegretto), 2 4 in F major; Allegro vivace, 6 8; The symphony features the fanfares and flourishes typical of the "festive symphony" or "trumpet symphony", which is characteristic of Austrian symphonic writing in C major.