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For those familiar with ancient Greek mythology, Medusa is one of its most enigmatic and complex figures. Her captivating and tragic story has fascinated artists for centuries, and it continues to ...
In Greek mythology, Sisyphus or Sisyphos (/ ˈ s ɪ s ɪ f ə s /; Ancient Greek: Σίσυφος Sísyphos) was the founder and king of Ephyra (now known as Corinth). He was a devious tyrant who killed visitors to show off his power. This violation of the sacred hospitality tradition greatly angered the gods. They punished him for trickery of ...
P. Pallas and Arachne; Pallas and the Centaur; Pandora (painting) The Parisian Sphinx; The Parnassus; Persephone (painting) Polyphemus (Sebastiano del Piombo)
Cybele enthroned, with lion, cornucopia, and mural crown.Roman marble, c. 50 AD.Getty Museum. Cybele (/ ˈ s ɪ b əl iː / SIB-ə-lee; [1] Phrygian: Matar Kubileya, Kubeleya "Kubeleya Mother", perhaps "Mountain Mother"; [2] Lydian: Kuvava; Greek: Κυβέλη Kybélē, Κυβήβη Kybēbē, Κύβελις Kybelis) is an Anatolian mother goddess; she may have a possible forerunner in the ...
Some late Roman and Greek poetry and mythography identifies him as a sun-god, equivalent to Roman Sol and Greek Helios. [2] Ares (Ἄρης, Árēs) God of courage, war, bloodshed, and violence. The son of Zeus and Hera, he was depicted as a beardless youth, either nude with a helmet and spear or sword, or as an armed warrior.
Ancient drachma from Larissa, around 420 BC, depicting Heracles with the Cretan Bull.Now in the Palais de Rumine, Lausanne, Switzerland. Minos was king in Crete.In order to confirm his right to rule, rather than any of his brothers, he prayed Poseidon send him a snow-white bull as a sign.
The term derives from Ancient Greek οὐροβόρος, [6] from οὐρά oura 'tail' plus -βορός-boros '-eating'. [7] [8]The ouroboros is often interpreted as a symbol for eternal cyclic renewal or a cycle of life, death and rebirth; the snake's skin-sloughing symbolises the transmigration of souls.
Sketch for Jupiter and Antiope The circumstances of the painting's creation are not entirely clear (see below). In the art historical literature, the assumption that the painting was created as a commission for the banker Pierre Crozat under the instruction of Watteau's teacher Charles de La Fosse around the time of the creation of the four ...