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In 1989, a new version was published with some essays omitted and the remainder of Volumes I-VI consolidated into two volumes. Tovey's Essays were written as introductory notes for the concert-going public and are occasionally light-hearted in tone. Nevertheless, they analyse the pieces and describe their structure in much more depth than ...
The psychoacoustic model of harmony proposed by Parncutt in 1989 [1] was adapted from the more general pitch algorithm of Ernst Terhardt, published in 1982. [2] The model assumes that the auditory system treats all acoustic input similarly, whether it is a single tone or a musical chord.
Still, one shouldn't jump to conclusions about what all the screaming means: Human screams, according to research out of the University of Zurich, published one year ago in the journal PLOS ...
The musicologist Winton Dean has suggested that "music is probably the most difficult of the arts to criticise." [2] Unlike the plastic or literary arts, the 'language' of music does not specifically relate to human sensory experience – Dean's words, "the word 'love' is common coin in life and literature: the note C has nothing to do with breakfast or railway journeys or marital harmony."
Springsteen’s performance Friday night at Mohegan Sun was joyous, triumphant, spirited and, in many ways, inspirational and life-affirming. This was not a man on his last leg or ready to throw ...
Leaving grammar school to study philosophy, psychology and sociology at Johann Wolfgang Goethe University in Frankfurt, Adorno continued his readings with Kracauer, turning now to Hegel and Kierkegaard, and began publishing concert reviews and pieces of music for distinguished journals like the Zeitschrift für Musik, the Neue Blätter für ...
‘Thank you, thank you, thank you’ What you can assume, though, is that the person who will seem most excited on Saturday about Garth Brooks finally — finally — FINALLY — getting the ...
Boulez was unable to attend, but, after hearing a tape of the concert, decided to withdraw the piece. [36] John Cage 4'33" 1952 New York During the premiere of this piece, the audience grew agitated due to the complete silence. It consisted of three movements, and during the third movement audience members began to walk out of the performance. [37]