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Dr. Horrible's Sing-Along Blog is the soundtrack to the 2008 web series of the same name. with lyrics and liner notes appearing on the series' website the next day.On the first full day of its release, it was the most downloaded album on iTunes in both Canada and Australia, and reached No. 2 in the U.S. [1] On September 10, 2008, Dr. Horrible's Sing-Along Blog debuted at No. 39 on the ...
"Alfonsina y el mar" (lit. ' Alfonsina and the sea ' ) is a zamba composed by Argentine pianist Ariel Ramírez and written by Argentine writer Félix Luna . It was first released as part of Mercedes Sosa 's 1969 album Mujeres argentinas .
(24) Etudes-Caprices dans les 24 tons de la gamme, for solo violin; Fantaisie sur un thême de Lucia di Lammermoor de Donizetti (on sextet "Chi mi frena in tal momento"), in D major Op.46 for solo violin (1844) Thême Original et Etude de Sigismund Thalberg, Op.45a for solo violin; Variations sur un Thème de Haydn, Op.1 for solo violin (1818)
The second movement contains prominent solos for the violin and cello, making the work in effect a concerto for piano trio and orchestra briefly, though a once-popular edition by Alexander Siloti removed large sections of the work, including those solos. Siloti initially proposed a number of changes to the score, but Tchaikovsky resisted these ...
It took almost thirty-five years before Janáček returned to the composition of music for the same combination of instruments. The sonata was created in the period of composer’s marked interest in chamber music (Piano Trio (now lost), 1908, Pohádka (Fairy Tale) for cello and piano, 1910), and also at the beginning of World War I.
The compositions for violin and piano D 384, 385 and 408 were named Sonata in Schubert's autographs. [ 5 ] [ 6 ] They were named Sonatina when published posthumously as Op. 137 in 1836. [ 7 ] Since these works are modest in size—rather to be compared to Mozart's violin sonatas than to Beethoven's —the "Sonatina" diminutive stuck to them.
Manuel Ponce. Manuel María Ponce Cuéllar (8 December 1882 – 24 April 1948), known in Mexico as Manuel M. Ponce, was a Mexican composer active in the 20th century. His work as a composer, music educator and scholar of Mexican music connected the concert scene with a mostly forgotten tradition of popular song and Mexican folklore.