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Dr. Horrible's Sing-Along Blog is the soundtrack to the 2008 web series of the same name. with lyrics and liner notes appearing on the series' website the next day.On the first full day of its release, it was the most downloaded album on iTunes in both Canada and Australia, and reached No. 2 in the U.S. [1] On September 10, 2008, Dr. Horrible's Sing-Along Blog debuted at No. 39 on the ...
Allegro con brio • Poco meno mosso • Tempo I • Poco meno mosso • Allegro con brio; The work is highly classical in design as it opens with a sonata movement which is followed by a scherzo, a slow movement, and a finale. The violin part is replete with virtuosic display but is also highly lyrical and elegant, evidence of the work's ...
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Pablo de Sarasate: Navarra, Duo in A major for 2 violins and orchestra (or piano), Op. 33 (1889.) Johanna Senfter : Concerto for 2 violins and string orchestra, Op. 40 Obadiah Shuttleworth : 2 concerti grossi, for two solo violins and string orchestra, arranged from the opus 5 solo sonatas by Arcangelo Corelli (1653–1713)
The Violin Concerto No. 2 in G minor, Op. 63, written in 1935 by Sergei Prokofiev, is a work in three movements: Allegro moderato; Andante assai; Allegro, ben marcato; It was premiered on 1 December 1935 at the Teatro Monumental in Madrid, by the French violinist Robert Soetens and the Madrid Symphony Orchestra conducted by Enrique Fernández ...
The solo violin takes the chorale melody while the orchestra and the piano play counterpoint underneath. Following the chorale, an exploration of various keys occurs with the piano playing double octaves while the solo violin playing difficult double-stops. Again, the chorale melody is reintroduced, this time in D major.
Horowitz played the orchestral part on the piano. Milstein later wrote in his memoirs, From Russia to the West, "I feel that if you have a great pianist like Horowitz playing with you, you don't need an orchestra." [11] Milstein and Horowitz also introduced Karol Szymanowski's First Violin Concerto at the same concert. [2]
It took almost thirty-five years before Janáček returned to the composition of music for the same combination of instruments. The sonata was created in the period of composer’s marked interest in chamber music (Piano Trio (now lost), 1908, Pohádka (Fairy Tale) for cello and piano, 1910), and also at the beginning of World War I.