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Presto 8N Disc Cutting Lathe (1950) used by the Canadian Broadcasting Corporation to record radio programs. A disc cutting lathe is a device used to transfer an audio signal to the modulated spiral groove of a blank master disc for the production of phonograph records. Disc cutting lathes were also used to produce broadcast transcription discs ...
Unlike ordinary vinyl records, which are quickly formed from lumps of plastic by a mass-production molding process, a lacquer master or acetate (instantaneous record) is created by using a recording lathe to cut an audio-signal-modulated groove into its surface – a sequential operation requiring expensive, delicate equipment and expert skill ...
Scully 280 eight-track recorder at the Stax Museum of American Soul Music. In 1961, recognizing the limited market for professional disc cutting lathes and facing increased competition from Neumann, whose disc cutting lathes were no longer restricted from being imported to the United States, [5] Scully Recording Instruments entered the tape recorder market.
The record featured two songs on the first side, and an etching of the album's promotional logo (a coiled centipede) on the second side. [citation needed] The Seeburg 1000 background music system (1959 to mid-1980s) used 9-inch, 16-rpm records with an unusual 2-inch center hole. Each record had a capacity of about 40 minutes per side. [citation ...
The Eagles have a chance to break their own record for most touchdown runs in a season. They have 39 heading into the Super Bowl — three shy of the mark they set in the 2022 season. Eagles defense
A shortage of chicken meat isn't on the menu for the U.S., experts said, even as eggs remain relatively expensive and in short supply nationwide. At least not due to bird flu-related shortages ...
John Sykes, a veteran hard-rock guitarist who was a member of Whitesnake, Thin Lizzy and the Tygers of Pan Tang, has died, according to a post on his official Facebook page. He had battled cancer ...
The grooves are engraved into the master disc on a mastering lathe.Early versions of these master discs were soft wax, and later a harder lacquer was used.. The mastering process was originally something of an art as the operator had to manually allow for the changes in sound which affected how wide the space for the groove needed to be on each rotation.