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Pop art is an art movement that emerged in the United Kingdom and the United States during the mid- to late-1950s. [1] [2] The movement presented a challenge to ...
Popular culture (also called pop culture or mass culture) is generally recognized by members of a society as a set of practices, beliefs, artistic output (also known as popular art [cf. pop art] or mass art, sometimes contrasted with fine art) [1] [2] and objects that are dominant or prevalent in a society at a given point in time.
Art pop draws on postmodernism's breakdown of the high/low cultural boundary and explores concepts of artifice and commerce. [12] [nb 1] The style emphasizes the manipulation of signs over personal expression, drawing on an aesthetic of the everyday and the disposable, in distinction to the Romantic and autonomous tradition embodied by art rock or progressive rock.
The continuation of Abstract Expressionism, color field painting, lyrical abstraction, geometric abstraction, minimalism, abstract illusionism, process art, pop art, postminimalism, and other late 20th-century modernist movements in both painting and sculpture continued through the first decade of the 21st century and constitute radical new ...
Her pop culture inspiration has lasted across the decades. In 1997, a now-iconic photoshoot featuring Fiona Apple captured by Joe McNally shows the indie pop artist riding the subway in a medieval ...
A pop icon is a celebrity, character, or object whose exposure in popular culture is regarded as constituting a defining characteristic of a given society or era. The usage of the term is largely subjective since there are no definitively objective criteria.
Neo-pop (also known as new pop) is a postmodern art movement that surged in the 1980s and 1990s. It is a resurgent, evolved, and modern version of the ideas of pop art artists from the 50s, capturing some of its commercial ideas and kitsch aspects. However, unlike in pop art, Neo-pop takes inspiration from a wider amount of sources and ...
The latter half of the 20th century included a large-scale trend in American culture in which the boundaries between art and pop music were increasingly blurred. [37] Between 1950 and 1970, there was a debate of pop versus art. [38] Since then, certain music publications have embraced the music's legitimacy, a trend referred to as "poptimism". [38]