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Switch is the first album by R&B band, Switch, released in 1978.It is also their first on the Motown subsidiary Gordy. After recording as White Heat and Hot Ice, this gave them the commercial breakthrough they desired with hits like "There'll Never Be" and "I Wanna Be Closer".
Switch is an American R&B/funk band that recorded for the Gordy label in the late 1970s, releasing songs such as "There'll Never Be", "I Call Your Name", and "Love Over & Over Again". Switch influenced bands such as DeBarge , which featured the siblings of Switch band members Bobby and Tommy DeBarge.
Opening Title Production company Cast and crew Ref. J A N U A R Y: 6 Coma: United Artists: Michael Crichton (director/screenplay); Geneviève Bujold, Michael Douglas, Elizabeth Ashley, Rip Torn, Richard Widmark, Lois Chiles, Hari Rhodes, Richard Doyle, Lance LeGault, Tom Selleck, Joanna Kerns, Ed Harris, Philip Baker Hall
Switch is a 1991 American fantasy comedy film written and directed by Blake Edwards. Based on George Axelrod 's 1959 play Goodbye Charlie (and the 1964 film of the same title ), the film stars Ellen Barkin , Jimmy Smits , JoBeth Williams , and Lorraine Bracco .
The Manitou is a 1978 American supernatural body horror film produced and directed by William Girdler, and starring Tony Curtis, Michael Ansara, and Susan Strasberg.It follows a woman in San Francisco who begins developing a fast-growing tumor on the back of her neck which is discovered to be supernatural in origin.
Tomorrow Never Comes: Peter Collinson: Oliver Reed, Susan George: Crime: Co-production with Canada; entered into the 11th Moscow International Film Festival: Warlords of Atlantis: Kevin Connor: Doug McClure, Peter Gilmore, Shane Rimmer: Science fiction/fantasy: The Water Babies: Lionel Jeffries: James Mason, Bernard Cribbins, Billie Whitelaw ...
This is a list of animated short films.The list is organized by decade and year, and then alphabetically. The list includes theatrical, television, and direct-to-video films with less than 40 minutes runtime.
The Monthly Film Bulletin wrote: "The latest in the lamentable series of Anglo-Canadian co-productions is an exploitative, crude combination of several recent genres: the disillusioned cop cycle, the problems of urban violence and the sinister workings of local authorities. The failure of any of these themes to establish themselves coherently ...