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Conjunto Primavera is a Mexican norteño-sax band from Ojinaga, Chihuahua. In the 1990s and 2000s they were one of the most popular acts in regional Mexican music. History
Morir de Amor (Eng.: Dying of Love) is a studio album by Mexican norteño-sax band Conjunto Primavera released in 2000. This album received a nomination for a Latin Grammy Award for Best Grupero Performance, [1] which was awarded to En La Madrugada se Fue by Los Temerarios, and became their first number-one album in the Billboard Top Latin Albums chart.
It should only contain pages that are Conjunto Primavera songs or lists of Conjunto Primavera songs, as well as subcategories containing those things (themselves set categories). Topics about Conjunto Primavera songs in general should be placed in relevant topic categories .
Dejando Huella (Eng.: Leaving a Mark) is the title of a compilation album by Mexican norteño-sax band Conjunto Primavera. This album became their third number-one set on the Billboard Top Latin Albums.
Ansia de Amar (Eng.: Longing to Love') is the title of a studio album by Mexican norteño-sax band Conjunto Primavera released on April 3, 2001. This album became their second number-one hit on the Billboard Top Latin Albums chart. Finally, this is the first album without re-recordings since Amigo mesero of 1994, because the next albums until ...
"Hoy Como Ayer" ("Today Like Yesterday") is a song performed by Mexican norteño-sax band Conjunto Primavera.Released in 2005 as the first single from the album of the same name, the song became their first number-one single in the Billboard Top Latin Songs chart, as well as peaking number-one on the Billboard Regional Mexican Airplay.
It should only contain pages that are Conjunto Primavera albums or lists of Conjunto Primavera albums, as well as subcategories containing those things (themselves set categories). Topics about Conjunto Primavera albums in general should be placed in relevant topic categories .
Key charanga flautist, bandleader and entrepreneur Johnny Pacheco switched from the charanga configuration to the conjunto in 1964. However, the first New York-based conjunto was Eddie Palmieri's "La Perfecta", which had its debut in 1962. These conjuntos would be crucial in the early development of the most successful Latin American music ...