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A simile (/ ˈ s ɪ m əl i /) is a type of figure of speech that directly compares two things. [1] [2] Similes are often contrasted with metaphors, where similes necessarily compare two things using words such as "like", "as", while metaphors often create an implicit comparison (i.e. saying something "is" something else).
Objects of comparison: Diana; roses Tertium comparationis: beauty. If they [our two souls] be two, they are two so; As stiff twin compasses are two; Thy soul, the fixed foot, makes no show To move, but doth, if th'other do. (John Donne: "A Valediction: Forbidding Mourning") (Read the whole poem.) Objects of comparison: two souls; twin compasses
In Renaissance poetry, and particularly in sonnets, the contrast was similarly used as a poetic argument. In such verse, the entire poem argues that two seemingly alike or identical items are, in fact, quite separate and paradoxically different. These may take the form of my love is unlike all other women or I am unlike her other loves.
A common definition of metaphor can be described as a comparison that shows how two things, which are not alike in most ways, are similar in another important way. In this context, metaphors contribute to the creation of multiple meanings within polysemic complexes across different languages. [33]
Simile: comparison between two things using like or as. Snowclone: alteration of cliché or phrasal template. Syllepsis: the use of a word in its figurative and literal sense at the same time or a single word used in relation to two other parts of a sentence although the word grammatically or logically applies to only one.
To make poetry more approachable, Camarda turned to some of the best lyrical artists of the 20th Century, showing students that modern pop stars have a lot in common with the classic Romantic poets.
The poem is a Petrarchan sonnet. [13] The title of the poem and the first two lines reference the Greek Colossus of Rhodes, one of the Seven Wonders of the Ancient World, a famously gigantic sculpture that stood beside or straddled the entrance to the harbor of the island of Rhodes in the 3rd century BC. In the poem, Lazarus contrasts that ...
Metaphor is also used in abundance in “Ars Poetica;” lines 9-16 describe a poem by implication to universality, line 12 compares night to an object that can capture. Anaphora, or refrain, is also used throughout the poem- the phrase “a poem should be” is repeated 5 times.