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Outside of film and TV broadcasts, the differences between PAL and NTSC when used in the context of video games were quite dramatic. For comparison, the NTSC standard is 60 fields/30 frames per second while PAL is 50 fields/25 frames per second. To avoid timing problems or unfeasible code changes, games were slowed down by approximately 16.7%.
Perhaps the most technically challenging conversion to make is the PAL and SÉCAM to NTSC conversion. PAL and SÉCAM use 625 lines at 50 fields/s or 25 frames/s; NTSC uses 525 lines at 59.94 fields/s (60000/1001) or 30 frames/s; The NTSC standard is temporally and spatially incompatible with both PAL and SÉCAM.
When transferred to NTSC television, the rate is effectively slowed to 23.976 FPS (24×1000÷1001 to be exact), and when transferred to PAL or SECAM it is sped up to 25 FPS. 35 mm movie cameras use a standard exposure rate of 24 FPS, though many cameras offer rates of 23.976 FPS for NTSC television and 25 FPS for PAL/SECAM.
Consequently, it has become popular with low-budget film/video makers. It is the successor to the HV10, which was Canon's first consumer HDV camcorder. The NTSC-region camera shoots at 24p which gives a film-like look in PF24 mode, using 2:3 pulldown in a 60i stream. In PAL regions, it can record in native 25p mode and as such does not require ...
Most Digital8 units offer an LP mode, which increases the recording time on an NTSC P6-120 tape to 90 minutes. For PAL, the Digital8 recorder runs 1½ times faster; thus, a 90-minute PAL Hi8 tape yields 60 minutes of Digital8 video. PAL LP mode returns the tape speed to the Hi8 SP speed, so a Hi8 90-minute tape yields 90 minutes of Digital8 video.
Nearly all DV camcorders and decks have IEEE 1394 (FireWire, i.LINK) ports for digital video transfer. This is usually a two-way port, so that DV video data can be output to a computer (DV-out), or input from either a computer or another camcorder (DV-in). The DV-in capability makes it possible to copy edited DV video from a computer back onto ...
That is a special professional video camera that used a video camera tube would be pointed at a cathode ray tube video monitor. Both the Camera and the monitor could be switched to either NTSC or PAL, to convert both ways. Robert Bosch GmbH's Fernseh Division made a large three rack analog video standards converter, Model NC 56 P 40. These were ...
They are rendered at exactly 25.000 frames per second; then, for PAL/SECAM distribution, ordinary 2:2 pulldown is applied, but for NTSC distribution, 199 fields out of every 1001 are repeated. This brings the refresh rate from 25 frames/s to exactly 60,000/1001, or ≈59.94, fields per second, with no change whatsoever in speed, duration, or ...