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When transferred to NTSC television, the rate is effectively slowed to 23.976 FPS (24×1000÷1001 to be exact), and when transferred to PAL or SECAM it is sped up to 25 FPS. 35 mm movie cameras use a standard exposure rate of 24 FPS, though many cameras offer rates of 23.976 FPS for NTSC television and 25 FPS for PAL/SECAM.
When operating in this mode most of them do not output a true (625/50) PAL signal, but rather a hybrid consisting of the original NTSC line standard (525/60), with colour converted to PAL 4.43 MHz (instead of 3.58 as with NTSC and South American PAL variants and with the PAL-specific phase alternation of colour difference signal between the ...
For viewing native PAL or SECAM material (such as European television series and some European movies) on NTSC equipment, a standards conversion has to take place. There are basically two ways to accomplish this: The framerate can be slowed from 25 to 23.976 frames per second (a slowdown of about 4%) to subsequently apply 3:2 pulldown .
Consequently, it has become popular with low-budget film/video makers. It is the successor to the HV10, which was Canon's first consumer HDV camcorder. The NTSC-region camera shoots at 24p which gives a film-like look in PF24 mode, using 2:3 pulldown in a 60i stream. In PAL regions, it can record in native 25p mode and as such does not require ...
Most Digital8 units offer an LP mode, which increases the recording time on an NTSC P6-120 tape to 90 minutes. For PAL, the Digital8 recorder runs 1½ times faster; thus, a 90-minute PAL Hi8 tape yields 60 minutes of Digital8 video. PAL LP mode returns the tape speed to the Hi8 SP speed, so a Hi8 90-minute tape yields 90 minutes of Digital8 video.
The output of the VCR when playing an NTSC cassette in NTSC 4.43 mode is 525 lines/29.97 frames per second with PAL compatible heterodyned color. The multi-standard receiver is already set to support the NTSC H & V frequencies; it just needs to do so while receiving PAL color.
That is a special professional video camera that used a video camera tube would be pointed at a cathode ray tube video monitor. Both the Camera and the monitor could be switched to either NTSC or PAL, to convert both ways. Robert Bosch GmbH's Fernseh Division made a large three rack analog video standards converter, Model NC 56 P 40. These were ...
Nearly all DV camcorders and decks have IEEE 1394 (FireWire, i.LINK) ports for digital video transfer. This is usually a two-way port, so that DV video data can be output to a computer (DV-out), or input from either a computer or another camcorder (DV-in). The DV-in capability makes it possible to copy edited DV video from a computer back onto ...
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