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A persona (plural personae or personas) is a strategic mask of identity in public, [1] the public image of one's personality, the social role that one adopts, or simply a fictional character. [2] It is also considered "an intermediary between the individual and the institution."
The persona poem evolved further in the twentieth century when the term 'persona' became popularised in psychology and anthropology by theorists in these fields. [12] For Swiss psychiatrist Carl Jung , persona was the social face the individual presented to the world: "a kind of mask, designed on the one hand to make a definite impression upon ...
The lyrical subject, lyrical speaker or lyrical I is the voice or person in charge of narrating the words of a poem or other lyrical work. [1] The lyrical subject is a conventional literary figure, historically associated with the author, although it is not necessarily the author who speaks for themselves in the subject.
According to Andrew Escobedo, "literary personification marshalls inanimate things, such as passions, abstract ideas, and rivers, and makes them perform actions in the landscape of the narrative." [28] He dates "the rise and fall of its [personification's] literary popularity" to "roughly, between the fifth and seventeenth centuries". [29]
Literary critic Vladimir Propp in his book Morphology of the Folktale uses the term dramatis personae when referring to the character roles of fairy tales, from his analysis of the Russian tales of Alexander Afanasiev. [2]
According to Jung, the development of a viable social persona is a vital part of adapting to, and preparing for, adult life in the external social world. [2] " A strong ego relates to the outside world through a flexible persona; identifications with a specific persona (doctor, scholar, artist, etc.) inhibits psychological development."
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Before this development, the term dramatis personae, naturalized in English from Latin and meaning "masks of the drama", encapsulated the notion of characters from the literal aspect of masks.) A character, particularly when enacted by an actor in the theater or cinema, involves "the illusion of being a human person". [7]