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35 mm equivalent focal lengths are calculated by multiplying the actual focal length of the lens by the crop factor of the sensor. Typical crop factors are 1.26× – 1.29× for Canon (1.35× for Sigma "H") APS-H format, 1.5× for Nikon APS-C ("DX") format (also used by Sony, Pentax, Fuji, Samsung and others), 1.6× for Canon APS-C format, 2× for Micro Four Thirds format, 2.7× for 1-inch ...
For example, a 28 mm lens delivers a moderately wide-angle FOV on a 35 mm format full-frame camera, but on a camera with a 1.6 crop factor, an image made with the same lens will have the same field of view that a full-frame camera would make with a ~45 mm lens (28 × 1.6 = 44.8). This narrowing of the FOV is a disadvantage to photographers when ...
So a standard 50 mm lens for 35 mm photography acts like a 50 mm standard "film" lens even on a professional digital SLR, but would act closer to a 75 mm (1.5×50 mm Nikon) or 80 mm lens (1.6×50mm Canon) on many mid-market DSLRs, and the 40-degree angle of view of a standard 50 mm lens on a film camera is equivalent to a 28–35 mm lens on ...
For example, a 28 mm lens is a wide angle lens on a traditional 35 mm camera. But the same lens on an APS-C camera, with a lens factor of 1.6× (relative to a standard full-frame 35 mm format camera), has the same angle of view as a 45 mm (28 mm × 1.6 lens factor) lens on a 35 mm camera—i.e. a normal lens. [20]
This format is still used in many personal video cameras today and has influenced the selection or design of other aspect ratios. It is the standard Super 35 mm ratio. 1.37:1 ~ 48:35 16 mm and 35 mm standard ratio. 1.375:1 = 11:8 35 mm full-screen sound film image, nearly universal in films between 1932 and 1953.
A teleconverter (sometimes called tele extender) is a secondary lens mounted between a camera and a photographic lens which enlarges the central part of an image obtained by the lens. For example, a 2× teleconverter for a 35 mm camera enlarges the central 12×18 mm part of an image to the size of 24×36 mm in the standard 35 mm film format.