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Glory is an instrumental album by Christian recording artist Michael W. Smith. Released in November 2011, the album is Smith's second instrumental album following Freedom in 2000. [ 2 ] The album was recorded with a 65-piece orchestra at AIR Studios Lyndhurst Hall in London and Wildwood Recording Studio in Nashville. [ 3 ]
[4] [5] Beginning pianissimo, the voices build chords from bass to soprano. Barry Holden describes it as follows: "In the opening pages it adheres steadfastly to a chord of C major in the choral parts, and builds its musical interest without traditional use of harmonic progression, but by use of short motifs which are constantly reworked". [2]
The Lamb upon his throne; Hark! how the heavenly anthem drowns All music but its own: Awake, my soul, and sing Of him who died for thee, And hail him as thy matchless king Through all eternity. Crown him the Virgin's Son! The God Incarnate born,--Whose arm those crimson trophies won Which now his brow adorn! Fruit of the mystic Rose
Behold the Lamb of God The opening chorus "Behold the Lamb of God" begins like a French overture in G minor , a key of "tragic presentiment", according to Christopher Hogwood . [ 7 ] The continuo drops an octave , then the violins rise an octave, to express "Behold".
Values in bold are exact on an idealized standard piano. Keys shaded gray are rare and only appear on extended pianos. The normal 88 keys were numbered 1–88, with the extra low keys numbered 89–97 and the extra high keys numbered 98–108. A 108-key piano that extends from C 0 to B 8 was first built in 2018 by Stuart & Sons. [4]
[17] Originally published as "Preludes for the Harpsichord or Piano-Forte in All the Keys Flat and Sharp" Étienne Ozi: Nouvelle méthode de basson: bassoon 1787 Also, for two bassoons; or bassoon and cello or double bass [18] Ludwig van Beethoven: 2 Preludes through all 12 Major Keys, Op. 39 piano 1789 [h] [19] Prelude No. 1 includes both C# ...
Common chords are frequently used in modulations, in a type of modulation known as common chord modulation or diatonic pivot chord modulation. It moves from the original key to the destination key (usually a closely related key) by way of a chord both keys share. For example, G major and D major have 4 chords in common: G, Bm, D, Em.
Glory to God. Handel waited until the angels' song "Glory to God" to introduce the trumpets. He marked them as "da lontano e un poco piano" (from afar and somewhat quietly) and originally planned to place them offstage (in disparate), to create the effect of distance. [6] [7] In this initial appearance the trumpets appear without the regular ...