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Victoria Chang is an American poet, writer, editor, and critic.She has experimented with different styles of writing, including writing obituaries for parts of her life, including her parents and herself, in OBIT, letters in Dear Memory: Letters on Writing, Silence, and Grief, and a Japanese form known as waka [1] in The Trees Witness Everything.
Huck Boyd was very involved in his community, state and region as a promoter of business and industry. He played key roles in bringing the first Cooperative Refinery to Phillipsburg, establishing the Mid States Port Authority which bought and maintained 465 miles of rail line after the Rock Island Railroad went bankrupt in the late 1970s, and obtained legislative approval to solve the small ...
Kansas native Clare Harner (1909–1977) first published "Immortality" in the December 1934 issue of poetry magazine The Gypsy [1] and was reprinted in their February 1935 issue. It was written shortly after the sudden death of her brother. Harner's poem quickly gained traction as a eulogy and was read at funerals in Kansas and Missouri.
Chinese Whispers is a 2002 poetry collection by the American writer John Ashbery. It was Ashbery's 20th collection and consists of 65 individual poems. It was Ashbery's 20th collection and consists of 65 individual poems.
This is a list of Asian American writers, authors, and poets who have Wikipedia pages. Their works are considered part of Asian American literature. A–D.
William Edgar Stafford (January 17, 1914 – August 28, 1993) was an American poet and pacifist. He was the father of poet and essayist Kim Stafford . He was appointed the twentieth Consultant in Poetry to the Library of Congress in 1970.
The poets listed below were either born in the United States or else published much of their poetry while living in that country. This is a dynamic list and may never be able to satisfy particular standards for completeness.
The Pleasant Ridge Church in Phillipsburg, Kansas, known also as Sod Church is a church which was built in 1898. It was added to the National Register of Historic Places in 2005. [1] It is a 20 by 32 feet (6.1 m × 9.8 m) building, built in a national folk architectural style.