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200 Campbell's Soup Cans (1962, acrylic on canvas, 72 by 100 inches (182.9 cm × 254.0 cm)), in the private collection of John and Kimiko Powers, is the largest single canvas of the Campbell's Soup can paintings. It is composed of ten rows and twenty columns of numerous flavors of soups.
Campbell's Soup I (sometimes Campbell's Soup Cans I) is a work of art produced in 1968 by Andy Warhol as a derivative of his Campbell's Soup Cans series. 250 sets of these screenprints were made by the Salvatore Silkscreen Company in New York City. It consists of ten prints each measuring 91.8 by 61.3 centimetres (36.1 in × 24.1 in). [1]
In early 1970, Andy Warhol established the record auction price for a painting by a living American artist with a $60,000 (US$470,746 in 2023 dollars [1]) sale of Big Campbell's Soup Can with Torn Label (Vegetable Beef) (1962), which is part of the Campbell's Soup Cans series, in a sale at Parke-Bernet, the preeminent American auction house of the day (later acquired by Sotheby's). [2]
In 1962, artist Andy Warhol incorporated the familiar look of the Campbell's soup can with a series of pop art silkscreens, a theme he would return to off and on through the 1960s and 1970s. The first batch in 1962 were a series of 32 canvases .
He also made several paintings for the Dorrance Co. (owners of Campbell's Soup), Successful Farming, Christian Herald, The Rotarian, Monarch Foods, Winchester Western Company, Pure Oil Cooperation, Iodent Toothpaste and the Buffalo Evening News.
Muriel Roberta Latow (September 27, 1931 – February 4, 2003) [1] was an American art expert, gallery owner, [2] interior designer, and erotic author.She has been credited with giving Andy Warhol the original idea to paint Campbell's Soup Cans and the 200 One-Dollar Bills silkscreens, and her written works reflect her travels throughout Europe.
Campbell's Soup Cans II is a work of art produced in 1969 by Andy Warhol as part of his Campbell's Soup Cans series that consists of 250 sets of 10 screenprints. This set is held by several notable museums. It differs from the preceding set of 1968 Campbell's Soup I screenprints and has variations within the series.
He went on to become president of the company from 1914 to 1930, eventually buying out the Campbell family. The classic red-and-white can design used by many Campbell's branded products is an American cultural icon, and its use in pop art was typified by Andy Warhol's series of Campbell's Soup Cans prints. [8]