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On the Pathos of Truth" (German: Über das Pathos der Wahrheit) is a short essay by Friedrich Nietzsche concerning the motivation of philosophers to seek knowledge as an end in itself. Nietzsche identifies this motivation with pride. [1] On this point the essay prefigures theories concerning a destructive "will to truth" that Nietzsche ...
In this demand and the remarks on "plastic power" (HL, chapter 1), she recognizes an early form of what Nietzsche later called the "Dionysian". When Nietzsche describes the opposite state, in which a multitude of foreign influences and thoughts turn the person who is unable to assimilate and organize them into a "passive arena of confused ...
Friedrich Nietzsche, in circa 1875. Friedrich Nietzsche (1844–1900) developed his philosophy during the late 19th century. He owed the awakening of his philosophical interest to reading Arthur Schopenhauer's Die Welt als Wille und Vorstellung (The World as Will and Representation, 1819, revised 1844) and said that Schopenhauer was one of the few thinkers that he respected, dedicating to him ...
He suggested that the work helped Foucault to discover Nietzsche as a "genealogical thinker, the philosopher of the will to power." [10] The philosopher Christopher Norris wrote that Deleuze approached Nietzsche in a way "sharply at odds with the received exegetical wisdom", and that Nietzsche and Philosophy was an "expository tour de force". [11]
Nietzsche here began to discuss the limitations of empirical knowledge, and presented what would appear compressed in later aphorisms. It combines the naivete of The Birth of Tragedy with the beginnings of his more mature polemical style. It was Nietzsche's most humorous work, especially for the essay "David Strauss: the confessor and the writer."
To Nietzsche everything in this world is an expression of will to power. [28] [29] To exist is to represent will to power, to cause influence (compare similar views of Protagoras' disciples in Plato's Theaetetus). One can cause influence only on something that exists. Therefore, (through induction) an act changes everything from that moment ...
Master–slave morality (German: Herren- und Sklavenmoral) is a central theme of Friedrich Nietzsche's works, particularly in the first essay of his book On the Genealogy of Morality. Nietzsche argues that there are two fundamental types of morality : "master morality" and "slave morality", which correspond, respectively, to the dichotomies of ...
The Will to Power (German: Der Wille zur Macht) is a book of notes drawn from the literary remains (or Nachlass) of the philosopher Friedrich Nietzsche by his sister Elisabeth Förster-Nietzsche and Peter Gast (Heinrich Köselitz). The title derived from a work that Nietzsche himself had considered writing.