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Depending on the style of signal clipping, the broader category of distortion pedals is typically divided into fuzz pedals, distortion pedals, and overdrive pedals. Designed for electric guitar and bass and operated by the player's foot, distortion pedals are most frequently placed in the signal chain between the guitar and amplifier. The use ...
Unable to afford silk screen printing that other pedal-makers used, Vex turned to his then-girlfriend to paint the pedal casings by hand, which she did for the first year or so. Z.Vex's Minneapolis-made pedals continue to be hand-painted by an employee, with "beautifully-crazy" graphic design work serving as a hallmark for the brand since its ...
JHS Angry Charly overdrive/distortion pedal. JHS manufactures and sells pedals with a variety of effects, including the Morning Glory V4, the Muffuletta, the 3 Series, the Pulp'N'Peel V4, the Andy Timmons AT+, the Paul Gilbert PG-14, the Legends of Fuzz series, the Unicorn Univibe, the Lucky Cat, the Double Barrel V4, the 1966 Series and the Colour Box preamp.
The first distortion effects unit made by Boss, [1] it has become a classic effect, used by many notable guitar players. [2] Boss released a successor, the DS-2. [3] The DS-2, "Turbo Distortion" was released in 1987, and is very similar to the DS-1 except that it features a "turbo" setting, which produces a sharper midrange tone. [4]
The FAB series of guitar effect pedals is a budget range of pedals made by the Danelectro company that are manufactured in China. The series was launched in 2005 with the release of the FAB Distortion, FAB Overdrive, and FAB Metal pedals. Currently, eight pedals share the same distinctive injection moulded plastic casing and blue LED light.
The DS-1 was the first ever distortion guitar effect pedal manufactured by Boss An auditory example of the distortion effect with the clean signal shown first.. Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone.