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Pure-tone audiometry provides ear specific thresholds, and uses frequency specific pure tones to give place specific responses, so that the configuration of a hearing loss can be identified. As pure-tone audiometry uses both air and bone conduction audiometry, the type of loss can also be identified via the air-bone gap.
In audio signal processing, auditory masking occurs when the perception of one sound is affected by the presence of another sound. [1] Auditory masking in the frequency domain is known as simultaneous masking, frequency masking or spectral masking. Auditory masking in the time domain is known as temporal masking or non-simultaneous masking.
Masking level difference (MLD) test; Psychoacoustic (or psychophysical) tuning curve test; Speech audiometry is a diagnostic hearing test designed to test word or speech recognition. It has become a fundamental tool in hearing-loss assessment. In conjunction with pure-tone audiometry, it can aid in determining the degree and type of hearing loss.
The first research on the topic of how the ear hears different frequencies at different levels was conducted by Fletcher and Munson in 1933. Until recently, it was common to see the term Fletcher–Munson used to refer to equal-loudness contours generally, even though a re-determination was carried out by Robinson and Dadson in 1956, which became the basis for an ISO 226 standard.
Portable audiometer Maico, circa 1960s. An audiometer typically transmits recorded sounds such as pure tones or speech to the headphones of the test subject at varying frequencies and intensities, and records the subject's responses to produce an audiogram of threshold sensitivity, or speech understanding profile.
A Concise Vocabulary of Audiology and allied topics Archived 2021-03-04 at the Wayback Machine; Fundamental aspects of hearing; Equal loudness contours and audiometry – Test your own hearing; Online Hearing Threshold Test – An alternate audiometric test, with calibrated levels and results expressed in dBHL; Fundamentals of psychoacoustics
Sound masking is the inclusion of generated sound (commonly, though inaccurately, referred to as "white noise" or "pink noise") into an environment to mask unwanted sound. It relies on auditory masking. Sound masking is not a form of active noise control (noise cancellation technique); however, it can reduce or eliminate the perception of sound ...
Psychoacoustic studies can deliver threshold criteria for various acoustic events and the resulting perceived sounds. The key is masking, that describes the effect that a sound produces into another simultaneous sound. Masking depends on the spectral composition of both masker and masking signal, and on other variations with time. The basic ...