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Figure drawing by Leonardo da Vinci. A figure drawing is a drawing of the human form in any of its various shapes and postures, using any of the drawing media. The term can also refer to the act of producing such a drawing. The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches.
The practice allows an artist to draw strenuous or spontaneous poses that cannot be held by the model long enough for an elaborate study and reinforces the importance of movement, action, and direction, which can be overlooked during a long drawing. Thus, an approach is encouraged which notes basic lines of rhythm within the figure.
Beginning in the Renaissance [5] drawing the figure from life has been considered the best way to learn how to draw, and the practice has been maintained into the present. Different drawing techniques and exercises have become standard, including gesture, contour, and mass drawings. For beginners first learning to draw, learning to correctly ...
Pose implies an artistic, aesthetic, athletic, or spiritual intention of the position. Attitude refers to postures assumed for purpose of imitation, intentional or not, as well as in some standard collocations in reference to some distinguished types of posture: "Freud never assumed a fencer's attitude, yet almost all took him for a swordsman." [2]
The discipline of anatomy can be subdivided into a number of branches, including gross or macroscopic anatomy and microscopic anatomy. [10] Gross anatomy is the study of structures large enough to be seen with the naked eye, and also includes superficial anatomy or surface anatomy, the study by sight of the external body features.
By this method, body diagrams can be derived by pasting organs into one of the "plain" body images shown below. This method requires a graphics editor that can handle transparent images, in order to avoid white squares around the organs when pasting onto the body image.
A single asana is listed for each main pose, whether or not there are variations. Thus for Sirsasana (Yoga headstand), only one pose is illustrated, although the pose can be varied by moving the legs apart sideways or front-and-back, by lowering one leg to the floor, by folding the legs into lotus posture, by turning the hips to one side, by placing the hands differently on the ground, and so on.
The Fabrica is known for its highly detailed illustrations of human dissections, often in allegorical poses.. De Humani Corporis Fabrica Libri Septem (Latin, "On the Fabric of the Human Body in Seven Books") is a set of books on human anatomy written by Andreas Vesalius (1514–1564) and published in 1543.