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Tudor launched its first diving watch in 1954, the Oyster Prince Submariner, waterproof to 100 metres, which increased to 200 metres in 1958. [11] Over the years the Submariner line adopted various features such as the "big crown" and "snowflake hands" (which have been reintroduced in for Tudor's current catalogue). [11]
Drawing of a brick wall with iron gates, from a 1790 catalog. Trade catalogs, originating in the late sixteenth and early seventeenth centuries primarily in Europe, are print catalogs which advertise products and ideas in words, illustrations, or both. [1] They included decor, ironwork, [2] furniture, and kitchenware. [3]
Strong, Roy: Artists of the Tudor Court: The Portrait Miniature Rediscovered 1520–1620, Victoria & Albert Museum exhibit catalogue, 1983, ISBN 0-905209-34-6 (Strong 1983) Strong, Roy: "From Manuscript to Miniature" in John Murdoch, Jim Murrell, Patrick J. Noon & Roy Strong, The English Miniature , Yale University Press, New Haven and London ...
The Tudor myth is a particular tradition in English history, historiography, and literature that presents the period of the 15th century, including the Wars of the Roses, as a dark age of anarchy and bloodshed, and sees the Tudor period of the 16th century as a golden age of peace, law, order, and prosperity.
Engraving by Wenceslas Hollar, 1644, of a self-portrait of Marcus Gheeraerts the Younger, 1627 (now lost).. Marcus Gheeraerts (also written as Gerards or Geerards; c. 1561/62 – 19 January 1636) was a Flemish artist working at the Tudor court, described as "the most important artist of quality to work in England in large-scale between Eworth and van Dyck". [1]
A catalogue survives, a 1609 copy of an original of 1596 that is now lost; Lumley had also given many volumes to the universities in his last years. Soon after Prince Henry's death, the main royal library was moved to St James's Palace where his books had been kept. [31] The Lumley library included MS Royal 14.
A Catalogue of Records in the College of Arms: Records Volume 1: Record Manuscripts of the Tudor Visitations mainly contained in the series D–H. London: College of Arms. ISBN 978-0-9506980-3-8. (a catalogue of the office copies of visitations 1530–1592, with references to other manuscript copies, published editions, and name indexes)
Saltmarsh, Polly (30 September 2020). "Portrait of an Unknown Lady: Technical Analysis of an Early Tudor Miniature". British Art Studies (17). Starkey, David (2007). Grosvenor, Bendor (ed.). Lost Faces: Identity and Discovery in Tudor Royal Portraiture. Catalogue of an exhibition held at the galleries of Philip Mould Ltd, 6–18 March 2007.