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The masquerade festivals of the KVM were determined in their scenic arrangements and dramatic performances by the theme, the setting and the course of the festival. The stage play could either be introduced or concluded by a procession in which participants and spectators took part.
Masquerade masks had many uses including hiding one's identity, and using different colour to express one's freedom of speech and voice one's emotions and opinions without judgement. [1] There were two types of base masquerade masks; black masks and white masks. [7] Designs and patterns were created over the base that was chosen.
A carnival mask. Domino masks are worn during Carnival, e.g. at the Venetian Carnival, where it is part of the more extensive black (though occasionally white and blue) domino costume worn by both male and female participants, which accomplishes the requirement of the masquerade that participants be masked or otherwise disguised, and achieves the elements of adventure, conspiracy, intrigue ...
During the Odo celebration, it is said that the appearance of this masquerade allows the dead to openly interact with the living. Ijele; The Ijele masquerade, which originated in the Old Anambra state, is the largest mask ritual in recorded history. 45 different masquerades have previously performed on top of Ijele, the King of All Masquerades ...
A masquerade ceremony (or masked rite, festival, procession or dance) is a cultural or religious event involving the wearing of masks. The practice has been seen throughout history from the prehistoric era to present day.
Donkor's print series Jamestown Masquerade, done in collaboration with designer Allan Davids, shows images of black models in ornately patterned and vibrantly colored clothing, wearing masquerade masks. This series differs the most from the majority of his works, adding live images and vibrant color to his collections as well as working with ...
The features of the mask illustrate the group's ideal of feminine beauty. The elegant hairstyles also symbolize the importance of social cooperation, since a woman needs the help of her friends to dress her hair. [3] The Mende honor outstanding carvers of sowei masks, which are typically men, with the name Sowo Gande. According to Philips, the ...
Female kifwebe mask; late 19th or early 20th century; 30.5 x 18.1 x 15.6 cm (12 x 7 1 ⁄ 8 x 6 1 ⁄ 8 in.); Brooklyn Museum. The kifwebe masquerade is a genre shared by the Luba and Songye, indicative of the interaction that has occurred between the two societies. Kifwebe masks represent either male or female beings