Search results
Results From The WOW.Com Content Network
Gopher fans traditionally thrust their fists in the air during the spell-out, and make a circular motion with their fist during the yell. The original lyrics were published in the Minneapolis Tribune, November 21, 1909.
Oskee-Wow-Wow (along with "Illinois Loyalty") is the official fight song of the University of Illinois at Urbana-Champaign. [1] The song was written in 1910 by two students, Harold Vater Hill, Class of 1911 (1889–1917), credited with the music, and Howard Ruggles Green, Class of 1912 (1890–1969), credited with the lyrics.
Football songs and chants (2 C, 29 P) H. Hindu chants (3 C, 2 P) M. Mantras (5 C, 13 P) Pages in category "Chants" The following 36 pages are in this category, out of ...
"We Want Eazy" also appears on his greatest hits, Eternal E; a 12-inch remix of this song was released as a single in 1989 and appeared on the rapper's posthumous compilation, Featuring...Eazy-E. The song borrows heavily from the Bootsy's Rubber Band's 1977 song "Ahh... The Name Is Bootsy, Baby!
Although Zager was first embarrassed when Love asked him to write a song using these chants, he accepted the proposal and later co-wrote "Let's All Chant" with Fields. The opening track and lead single from the group's eponymous LP, "Let's All Chant" was released as a single in December 1977 , with the track "Love Express" as a B-side.
Pages in category "Songs used as jingles" The following 80 pages are in this category, out of 80 total. This list may not reflect recent changes. 0–9.
In 1999, a UK garage version titled "See Line Woman '99" reached No. 64 on the UK Singles Chart [10] and No. 3 on the UK Dance Singles Chart. [ 11 ] Nina Simone's 1964 recording was remixed by Masters at Work for a 12" single release in 2002 (coupled with the original 1964 recording), and was part of the Verve label compilation Verve//Remixed ...
The original album version and subsequent radio edit of the song had a much slower tempo than the more well-known remixes and was essentially structured like a pop song, with the characteristic synthetic instrumentation of the more melodic side of ambient music — though including darker overtones, such as the prominently featured Gregorian chant (Gloria in Excelsis Deo).