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He'd have to get under, Get out and get under To fix up his little machine. He was just dying to cuddle his queen, But ev'ry minute When he'd begin it, He'd have to get under, Get out and get under, Then he'd get back at the wheel. A dozen times they'd start to hug and kiss And then the darned old engine it would miss, And then he'd have to get ...
Get Out and Get Under is a 1920 American silent comedy film directed by Hal Roach and starring Harold Lloyd and Mildred Davis. The car in the movie, to which Lloyd was alternately devoted or frustrated, appears to be a 1920 Ford Model T .
"Down Under" is a song recorded by Australian rock band Men at Work. It was originally self-released in 1980 as the B-side to their first local single, "Keypunch Operator", before the band signed a recording contract with Columbia Records. [8] Both early songs were written by the group's co-founders, Colin Hay and Ron Strykert. [9]
An earworm happens when you have the “inability to dislodge a song and prevent it from repeating itself” in your head, explains Steven Gordon, M.D., neurotologist at UC Health and assistant ...
He retired the next year to Freeport, Long Island, New York because of heart problems. Variety estimated he made between 6,000 and 10,000 recordings in 45 years under a range of different pseudonyms, selling up to 300 million records, a record at the time. [8] He died at nearby Jones Beach of a heart attack in 1954 at the age of 77. Murray had ...
Back when “farewell songs” were still a thing on American Idol, playing every week during each eliminated contestant’s video package, Underwood was tapped to record Mötley Crüe’s arena ...
In July 1966, the song was released on Yardbirds, the group's first studio album in the UK and in August on the US edition titled after the song. [7] As one of the group's most popular pieces, "Over Under Sideways Down" it is included on many anthologies, such as The Yardbirds Greatest Hits (1967) and Ultimate! (2001). [11]
The song was published in 1908. From the Broadway musical Three Twins when it was introduced by Alice Yorke. [1] Ada Jones and Billy Murray had a huge success with their duet recording of the song for Victor Records (catalog No. 5532) in 1908. They also recorded the song for Edison 9950, Zon-o-Phone 5175 and Indestructible 876. [2]