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Although soul jazz was most popular during the mid-to-late 1960s, its musicians and musical influences remained popular past this time period. In the late 1960s and 1970s, the genre saw increased crossover with fusion. The Jazz Crusaders, for example, evolved from soul jazz to soul music, becoming the Crusaders in the process. [4]
Jazz noir (also known as "doom jazz" or "dark jazz") is noted for its often somber, mysterious or even sinister tone. It takes inspiration from film noir soundtracks and dark ambient music. [4] 1990s -> Nu jazz [5] Music that blends jazz elements with other musical styles, such as funk, soul, electronic dance music, and free improvisation. 1990s ->
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
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Please help improve this article by adding citations to reliable sources in this list. Unsourced material may be challenged and removed. Unsourced material may be challenged and removed. Find sources: "List of soul jazz musicians" – news · newspapers · books · scholar · JSTOR ( June 2015 ) ( Learn how and when to remove this message )
For a list of the core jazz standards, see the following lists by decade: . Before 1920; 1920s; 1930s; 1940s; 1950s and later; For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes
Quiet storm songs are a mix of genres, including pop, contemporary R&B, smooth soul, smooth jazz and jazz fusion – songs having an easy-flowing and romantic character. The format first appeared in 1976 but initially it drew from songs recorded earlier.
A Tom Moulton Mix was released in 2006. It was released as a double compact disc and on two double vinyl releases by Soul Jazz Records. [4] [9] John Brugess of The Guardian praised the album, stating that "artists graced with a Tom Moulton mix could expect their concise pop to be turned into an epic drama" and proclaimed that "Moulton had a good sense of when to hold back (Patti Jo's Make Me ...