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The Old English word bēot comes from earlier bíhát meaning 'promise'. The original noun-form of bēot corresponds to the verb bi-, be-ˈhátan.A shifting of the stress from bíhát to bi-ˈhát, on analogy of the verb, gave the late Old English beˈhát, from which the Middle English word behote derives. [6]
[4] [5] Can can can can can can can can can can. – "Examples of the can-can dance that other examples of the same dance are able to outshine, or figuratively to put into the trashcan, are themselves able to outshine examples of the same dance". It could alternatively be interpreted as a question, "Is it possible for examples of the dance that ...
Boasting or bragging is speaking with excessive pride and self-satisfaction about one's achievements, possessions, or abilities.. Boasting occurs when someone feels a sense of satisfaction or when someone feels that whatever occurred proves their superiority and is recounting accomplishments so that others will feel admiration or envy.
"To Richard Cotton, Esq.," composed by Geoffrey Whitney in 1586, which describes Combermere Abbey using the metaphor of a beehive, may be the earliest example. [ 3 ] Other well-known instances of the genre include Andrew Marvell 's Upon Appleton House , which describes Thomas, Lord Fairfax 's country house, where Marvell was a tutor between ...
Flyting is a ritual, poetic exchange of insults practiced mainly between the 5th and 16th centuries. Examples of flyting are found throughout Scots, Ancient, Medieval [8] [9] and Modern Celtic, Old English, Middle English and Norse literature involving both historical and mythological figures.
Example axe blood-ember Blóðeisu: N: Einarr Skúlason, Øxarflokkr 7 battle spear-din N: Snorri Sturluson, Skaldskaparmal: blood dead-slave N: blood battle-sweat One reference for this kenning comes from the epic poem, Beowulf. As Beowulf is in fierce combat with Grendel's mother, he makes mention of shedding much battle-sweat. N: Beowulf ...
Literary nonsense, as recognized since the nineteenth century, comes from a combination of two broad artistic sources. The first and older source is the oral folk tradition, including games, songs, dramas, and rhymes, such as the nursery rhyme "Hey Diddle Diddle". [3]
The French actress Sarah Bernhardt was considered insufficiently understated in English terms. Photograph by Félix Nadar, c. 1864. This attitude of understatement was exemplified by a comment upon Sarah Bernhardt's violent depiction of Cleopatra in the 1891 play of that title: "How different, how very different, from the home life of our own dear Queen!"