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Swiss folklore describes a collection of local stories, celebrations, and customs of the alpine and sub-alpine peoples that occupy Switzerland. The country of Switzerland is made up of several distinct cultures including German, French, Italian, as well as the Romansh speaking population of Graubünden .
Due to a lack of detailed records, little is known about Swiss folk music prior to the 19th century. Some 16th-century lute tablatures have been reconstructed into authentic instrumental arrangements; however, the first major source of information comes from 19th-century collections of folk songs, and work done by musicologist Hanny Christen.
Folk art is kept alive in organizations all over the country. In Switzerland, it is mostly expressed in music, dance, poetry, wood carving and embroidery. There are also many regional and local rites demarcating times of the year. Yodeling, despite being stereotypical for Switzerland, is not widespread and is limited to only some mountain areas.
Works by Swiss composers and authors; Recordings by Swiss performers; Works published by Swiss companies; The National Sound Archives began its collecting activities in 1986, but thanks to the acquisition of various existing collections and estates, numerous sound recordings from earlier times are also available. The current collection includes
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The Schwyzerörgeli is a type of diatonic button accordion used in Swiss folk music. The name derives from the town/canton of Schwyz where it was developed. Örgeli is the diminutive form of the word Orgel (organ). Outside of Switzerland the instrument is not well known and is hard to find.
Zäuerli is a type of traditional Swiss folk music, common in the Appenzell region of Switzerland. [1] It can be described as 'voiceless yodeling ', and is characterised by slower tempo and lower vocal range than in other types of yodeling, [ 2 ] making it sound somewhat 'sad'.
Christine Lauterburg (born 12 March 1956 in Bern) is a Swiss singer and yodeler. [1] Lauterburg often remakes Swiss folk songs but also composes her own music. In contrast to most contemporary Swiss musicians, who use the Anglo-Saxon folk songs as a foundation, Lauterburg develops her music from local roots.