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In relation to foreshadowing, the literary critic Gary Morson describes its opposite, sideshadowing. [11] Found notably in the epic novels of Leo Tolstoy and Fyodor Dostoevsky, sideshadowing is the practice of including scenes that turn out to have no relevance to the plot. That, according to Morson, increases the verisimilitude of the fiction ...
Gary Saul Morson (born April 19, 1948) [1] is an American literary critic and Slavist. He is particularly known for his scholarly work on the great Russian novelists Leo Tolstoy and Fyodor Dostoevsky, and the literary theorist Mikhail Bakhtin. Morson is Lawrence B. Dumas Professor of the Arts and Humanities at Northwestern University.
The Slavic studies scholar Gary Saul Morson has written in Commentary that Pevear and Volokhonsky translations "take glorious works and reduce them to awkward and unsightly muddles". [18] Criticism has been focused on the excessive literalness of the couple's translations and the perception that they miss the original tone of the authors. [18]
As the definition of foregrounding indicates, these are relative concepts. Something can only be unexpectedly regular or irregular within a particular context. This context can be relatively narrow, such as the immediate textual surroundings (referred to as a 'secondary norm' [ 4 ] ), or wider such as an entire genre (referred to as a 'primary ...
Neither type of poetry is better than the other — in fact, a great poem needs both to succeed. However, when I write poetry, I can read it back and find influences from the drumbeats of my ...
The second chapter gives meaning to the first, as it explains other events the character experienced and thus puts present events in context. In Khaled Hosseini 's The Kite Runner , the first short chapter occurs in the narrative's real-time; most of the remainder of the book is a flashback.
Gary said he was often asked about doing a book of weather poetry. “If I had a nickel each time I heard that question, I’d have $1.75 by now.” In reality, he said, he was waiting for a cause ...
The term poetics derives from the Ancient Greek ποιητικός poietikos "pertaining to poetry"; also "creative" and "productive". [6] It stems, not surprisingly, from the word for poetry, "poiesis" (ποίησις) meaning "the activity in which a person brings something into being that did not exist before."