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The guitar had a maple laminated top, back and sides, with a set-neck made of mahogany. The florentine cutaway on the 175 was seen as an improvement over the Venetian cutaway that Gibson had been using on guitars. [4] The cutaway and the amplification of a jazz guitar allowed players to use the uppermost frets on the neck during performances. [5]
Hollowbody electric guitars are quite common in jazz; the Gibson ES-175 is a classic example. It has been in production continuously since 1949 until 2019. Jazz guitar may refer to either a type of electric guitar or a guitar playing style in jazz, using electric amplification to increase the volume of acoustic guitars.
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Kay's archtop electric guitars in 1961: (L to R) Swing Master K673, K672, [18] Truetone Jazz King [1] After the retirement of Kuhrmeyer in 1955, the company was taken over by Sidney M. Katz. The product line of Kay was shifted toward electric musical instruments on demands, and in 1964, the company moved to a new factory in Elk Grove Village ...
1958 saw the introduction of Gibson's new thinline series of guitars. The ES-335, 345 and 355, all came with a semi-hollow body: the wood of the top and back was maple and there was a maple center block inside the guitars which ran the length of the body all the way to the mahogany neck, with a rosewood fingerboard.
The Fender Jazzmaster is an electric guitar designed as a more expensive sibling of the Fender Stratocaster.First introduced at the 1958 NAMM Convention, it was initially marketed to jazz guitarists, but found favor among surf rock guitarists in the early 1960s.
Penco made Martin- and Gibson-style acoustic guitars. Reverse engineered and built to spec, some of the closest replicas of the Martin D-28, D-35, D-41, D-45, and D-45 12 models in existence today were made by Penco, as well as bolt-neck copies of Gibson's Les Paul and SG guitars and basses, Rickenbacker 4001 basses, Fender Stratocaster and Telecaster guitars, Fender Jazz bass guitars, 12 ...
The company was founded by Charles Stromberg, a Swedish immigrant to Boston, Massachusetts, in 1906, who had learned the trade at the local Thompson & Odell company. [4] His oldest son, Harry, worked with him until 1927, and in 1910, his son Elmer (later praised as responsible for "some of the finest archtop jazz guitars ever made" [5]) joined him in the business.