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The guitar had a maple laminated top, back and sides, with a set-neck made of mahogany. The florentine cutaway on the 175 was seen as an improvement over the Venetian cutaway that Gibson had been using on guitars. [4] The cutaway and the amplification of a jazz guitar allowed players to use the uppermost frets on the neck during performances. [5]
Hollowbody electric guitars are quite common in jazz; the Gibson ES-175 is a classic example. It has been in production continuously since 1949 until 2019. Jazz guitar may refer to either a type of electric guitar or a guitar playing style in jazz, using electric amplification to increase the volume of acoustic guitars.
D'Aquisto flat top guitars are a group of sixteen guitars [10] made by D'Aquisto. He made sixteen flat top guitars from 1973 to 1984. [10] He made two types, a grand auditorium and a dreadnought. [11] He believed the large oval sound hole produced greater projection than the typical round sound hole. [12] He numbered his guitars from 101 to 116 ...
The company was founded by Charles Stromberg, a Swedish immigrant to Boston, Massachusetts, in 1906, who had learned the trade at the local Thompson & Odell company. [4] His oldest son, Harry, worked with him until 1927, and in 1910, his son Elmer (later praised as responsible for "some of the finest archtop jazz guitars ever made" [5]) joined him in the business.
1958 saw the introduction of Gibson's new thinline series of guitars. The ES-335, 345 and 355, all came with a semi-hollow body: the wood of the top and back was maple and there was a maple center block inside the guitars which ran the length of the body all the way to the mahogany neck, with a rosewood fingerboard.
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C.F. Martin & Company (often referred to as Martin) is an American guitar manufacturer established in 1833 by Christian Frederick Martin. [1] It is highly respected for its acoustic guitars and is a leading manufacturer of flat top guitars and ukuleles.
Fender intended the Jazzmaster to represent a solid body alternative to the hollow body archtop guitars that were then ubiquitous among jazz guitarists. As the Telecaster and Stratocaster had done in other popular musical genres, Fender hoped to initiate a revolution in jazz guitar, at the expense of competitor Gibson .