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Vermeer invents the first machine to dig, transport and replace large trees in the 1960s. The first larger round hay baler was invented by Gary Vermeer in 1971. Allis Chalmers first introduced the small round rotobaler in 1947. Vermeer begins building large trenchers to lay underground pipelines in the 1980s.
Riding mowers (U.S. and Canada) or ride-on mowers (U.K. and Canada) are a popular alternative for large lawns. The operator is provided with a seat and controls on the mower and literally rides on the machine. Most use the horizontal rotating blade system, though usually with multiple blades. A common form of ride-on mower is the lawn tractor.
The painting was among the large collection of Vermeer works sold on May 16, 1696, from the estate of Jacob Dissius (1653–1695). It is widely believed the collection was originally owned by Dissius' father-in-law, Pieter Claesz van Ruijven of Delft as Vermeer's major patron, then passed down to Ruijven's daughter (1655–1682), who would have left it to Dissius.
Johannes Vermeer (/ v ər ˈ m ɪər, v ər ˈ m ɛər / vər-MEER, vər-MAIR, Dutch: [joːˈɦɑnəs fərˈmeːr]; see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch painter who specialized in domestic interior scenes of middle-class life. He is considered one of the greatest painters of the Dutch Golden Age.
Detail of the painting The Procuress (c. 1656), proposed self portrait by Vermeer [1] The following is a list of paintings by Johannes Vermeer (1632–1675), a Dutch Golden Age painter. After two or three early history paintings, he concentrated almost entirely on genre works, typically interiors with one or two figures. Vermeer's paintings of ...
The picture shows a woman facing left and playing a virginal. In the left foreground is a viola da gamba holding a bow between its strings. [2] A landscape is painted on the inside lid of the virginal, and the painting on the wall is either the original or a copy of The Procuress by Dirck van Baburen (c. 1622, now in the Museum of Fine Arts in Boston), which belonged to Vermeer's mother-in-law ...